To Explore The Marx’s Aesthetics

Economical and Philosophical Manuscript of1844, hereinafter referred to as the“Manuscript”, was written by Marx when he exiled in Paris. As his early work produced inthe transitional period of Marx Thought, it was the rudiment of Marx historical materialism aswell as the beginning of practical materialism of scientific theory. Though it was not anaesthetic monograph, aesthetic related problems were regarded as an integral part of thepractice of human activities which ushered in a series of questions like the object of humanactivities and the practical character of mankind fundamentally lay the ideological foundationfor the development of modern aesthetics. So in this paper, by returning to the originalcontext, seizing the Marx spirit, always adhering to the Marx historical materialism ontology,the abstract person is restored to the human practical activities. Thus human sensibility isestablished through the human relations with nature, and the object of human essence force iscertified by boundless activities. Only in this way can people truly human, to Marx’saesthetics reduction to real life, to make the aesthetics of Marx from the "abstract" to "reality".This paper expounds Marx’s aesthetic theory from the following parts.The first part mainly discusses the theoretical origin of Marx’s aesthetics thoughtproduces. Firstly, from the aesthetics of Schiller’s "freedom" to the all-round development ofpeople, this paper proved that Schiller brought Marx’s aesthetics thought transformation, andthen through the comparison of Marx and Hagel’s aesthetics of "labor""alienation" and otherissues, the ideological basis of Marx’s aesthetics is further sublimed.The second part is divided into four chapters, which has always insisted on historicalmaterialism based on Marx. First of all from the relationship between man and nature in thehuman sense, it displayed that people’s aesthetic may occur, and then people can only intransforming the nature of practice to produce beauty, and people in this practice is alwaysfollowed the "inner scale" to the object, but this "inner scale" is "freedom"? All of these willbe directly reflects whether can in the world he created in intuition.The third part mainly discusses four innovational meanings of aesthetics of Marx. Firstby comparing the old philosophy, Marx put the aesthetics from the "rational" to "reality", andfrom the cognition of esthetics and binary in opposition to unification, the old idealism andmaterialism of the mechanical theory of reflection reestablished in the real-world ontologyfoundation. Ultimately from a historical perspective Marx put a comprehensive analysis of "all people’s feeling of alienation" to "human overall development" in order to produce a trulybeautiful, these reforms have opened a new chapter for the development of aesthetics ofMarx.