Research On The Formative Factors Of A Lai's Literary Style

Literature style is the outstanding writer of a series of works in the common aesthetic style or unique seal, strictly speaking, is a sign of maturity of writers and can reach the highest realm. The Tibetan writers, Alai, have a place in the contemporary literature in his vivid style.. Contemporary literary criticism circles of Alai research from the aspects of narrative text, national identity, thinking origins of focus and achieve more fruitful results, but the style of Alai's works, has not yet formed a consensus; especially the formation of the unique style, so far, there is a lack of systematic research.The literary style is a unique and stable aesthetic style which is based on the perfect unification of the ideological content and the artistic form.. From ancient China as to the classification of poetry and painting, Alai's works style can be described as "massive and spiritual", in his work has both historical boundless heavy weather, and full of poetic light flavor in moist. The formation of massive and spiritual color, on the one hand is full of wonderful interest, intention to convey the profound and abstruse, depicting the image of magical and mysterious. On the other hand is its language of light and full of charm, full of soul of poetry, informal grid sets to express the soul alone. Odd Austrian color depth, so into the massive, smart color live, and therefore, spiritual color.The writing mirrors the writer. Style is a pale personality distinctive especially unique personality in the works in the show. According to the various description of the people and life in Alai's good-natured, such as the Buddha, God set idle gas, Huang Yue in the Qing Dynasty defines the concept of "massive and spiritual" exactly "air thick but pale, and God but run of the language of; Alai and whims and free and easy, romantic flower's side, it is no wonder that people from his works get" atmosphere and aesthetic feeling. Character is concerned, Alai sensitive and thoughtful. Confident attitude towards literary innovation, to the rebellious stance against the secular trend, which makes him not to drift with the current. In addition, because he has a keen sense of aesthetic feelings and perseverance of the creative execution, but also for his works to show their true colors provided to guarantee.The formation of the characteristics of personality not only exists the physiological basis of the birth, but also depends on the living environment, including the region and the times..As a growth on the edge of the Tibetan writer, snow covered plateau landscape makes Alai reverence for nature, feel the magnificent and distant, seems to be the relationship between man and man has a more powerful existence, it gives everything to spirituality, and when compassion for life. The Tibetan Buddhist tradition and rich folk culture is the factor gives the works of Alai, but the ethereal and mysterious simple magic. The national identity of the mixed race adds to the culture of "wandering" in his literary world, which promotes the charm of the reality and promotes the profound implication of the work.A literary style is influenced by factors of age. Alai was born in the turn of old and new times of nodes, the old mood of the times and the new spirit of the times are in his works play under the branding, but more is in the transition from the old to the new, the parties that kind of confused, confused and choice, in the like a rising wind and scudding clouds of various trends of thought in literature exploration, precipitation. At the same time, he also draws experience from the western literature, especially for the creation of the non mainstream groups, with deep sympathy and common sense.He is changing times of participants, and a sober spectator, and ultimately to perspective of the drawbacks of nationalism in the Eyeshot of all mankind, and gradually formed his mature literary view and view of the world.