| The history of drama development in the seventeenth years since the founding of the People’s Republic of China was known as The Seventeen-year Drama.It is a major turning point in the history of Chinese drama.It represents the Chinese drama from the Traditional Drama to Modern Drama of a phased transition.At the same time,it is also a stage of the past and the future.Both from the liberation war since the drama of the inheritance,but also the starting point for the development of follow-up drama.Therefore,the study of the performance of this period of time will help to understand the history of the whole drama and the exploration and development of the future drama.The purpose of the study of the traditional drama reform and performance of The Seventeen Years in Shandong Province is also the same.Based on the compilation of the cultural and artistic information of Shandong province and the study of the historical records of the Chinese Drama Chi Of Shandong Volume,this paper analyzes the policy of Drama Reform,the agency of Drama Reform,the implementation of Drama Reform activities,the distribution of the troupe,the cultivation of the casts and dramatists,the adaptation and creation of the repertoire,and the performance of the local dramas in Shandong from 1949 to 1966.This paper is divided into seven parts: introduction,the text of five chapters,conclusion.The introduction part analyzes the background and the significance of the topic according to the research situation of Shandong local dramas,and summarizes the research methods and innovations of this paper.The first chapter analyzes the reform policy of the drama,analyzes the implementation of the Drama Reform and the activities of the drama in Shandong in order to show the implementation of the activities of Shandong drama.The second chapter show the Shandong local drama troupes was established and the distribution of a list,and analyzes the distribution of the troupes in each city.The third chapter discusses the social status,the cultivation mode and the treatment of the cast and crew before and after the Drama Reform.The fourth chapter takes the key repertoire as an example to analyze the linguistic features,characters,storylines,script structure and subject expression of the traditional repertoires and the creation of modern repertoires(including the new historicaldrama and modern drama).The two types of repertoires and unmodified traditional repertoires were compared to analyze the changes in the ideological tendencies.The fifth chapter introduces the main performance venues in Shandong,and analysis the realism of Shandong local dramas performance style from the actors,stage art and repertoires content.Finally,through the study of the activities of Shandong Drama Reform,the author sums up the gains and losses of Shandong dramas and explores its reference significance to the reform and development of modern traditional dramas. |
