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Research On Chinese Youth Films Since The 21st Century

Posted on:2018-07-10Degree:MasterType:Thesis
Country:ChinaCandidate:G X ShiFull Text:PDF
GTID:2335330536460628Subject:Literature and art
Abstract/Summary:PDF Full Text Request
While Chinese mainland youth films expressing individual youth experience and infecting the public to review the past,it also conveys its aesthetic taste,values and ways of thinking.Chinese mainland youth films has changed in narrative content and the way of creation since new century,which makes youth films a strong power to promote the film market.Research the creating transformation,characteristics of audience and ideological interpretation of youth films in the new century could make creating more meaningful and diversified.With the popularization,opening and utilization of domestic networks and the progress of film technology,film creators pay more and more attention to the specific requirements of the audience.This article based on the mutual effect of film production,audience and public culture to study Chinese mainland youth films since new century in four parts.Part I:Defining the conception of youth film and combing the development of Chinese mainland youth films.Combing the development of Chinese mainland youth films and the change in narrative content and the way of creation due to the demand of market since the 21 st century.Part II:Classifying the subclass of the Chinese mainland youth film and interpreting its ideological connotation.Explaining innovation of content and form in the docking between youth film and other types of movies,as well as the significance and value of the ideology in the subtype of youth films.Part III:Using quantitative analysis of data and questionnaire investigations,along with analysis by youth film creation director about the interactive model of the audience development to find out the characteristics and causes of the mainland youth film audience in the new century.Part IV:Expounding the latest condition of Chinese mainland youth film and looking to its future.I got a profound reflection to the poor imagination,incomplete evaluation system of film market and random change of the popular IP.I also come up with solutions to promote sustained and healthy development of the Chinese mainland youth films and optimize the film's thoughts,audience aesthetic and cultural connotation.
Keywords/Search Tags:Youth Film, Subtype, Ideology, Audience, Aesthetic taste
PDF Full Text Request
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