Theory Of Boneless Painting:In Reverse

Chinese painting has a long history and goes back to ancient times reflecting the ancetors' aesthetic art pursuit and outward radiation influenced the art form of other countries and regions,today still accompanied by development and progress of The Times continuously with its artistic charm.Often mention no bone painting people tend to natural classified as claborate-style painting and xieyi painting rather than an important conceptboneless painting.It is not the name of the ancient Chinese painting is accompanied by modern foreign type and to distinguish with appeared,in ancient times often refers to write is the floorboard of the traditional Chinese painting which is included with boneless painting.Generally thought boneless painting gen Xu Chongsi since the northern song dynasty.Shen kua MengXi stature for recorded as follows:Xu Chongsi create new ink painting flowers not circle straight folding color dye stains no bone flowers.At first no bone is as before with chalk line draw the outline of full filling color separate technique of expression.When there are huang riches and honour wild escape.Development of improvements were made to the qing Yun Shouping no bone painting reached its heyday.Throughout the ancient Chinese art history no bonre painting is taught traditional Chinese realistic painting and freehand brushwork is weak it is also a sum of painting history.Boneless paintinggeneration wuth jay but specialize in the small often by part-timg painting freehand brushwork in traditional Chinese.Such as the yuan dynasty ingerited regularity in song dynasty is the representative figure of traditional Chinese realistic painting flower and-bird painting Qian Xuan,in ming dynasty Xu Wei,Lan Ying of late Ming dynasty etc.To modern times art diversified splendor.Boneless painting is under the age of full of brilliance,emergence of go for this,such as Li Kuizheng,Jia Guangjian,Tian Liming,Zou Wushengect,they offer a large number of outstanding works.Study the inherit boneless paintingis the contemporary painters unshirkable responsibility,and the prospertiy of social demand for art also calling boneless painting will continue to develop and isbound to usher in a new round of evolution.In some ways boneless painting fits the doctrine of traditional Chinese popular as well as dignified as painting colorful also can abandon such as freehand brushwork in traditional Chinese.Saide tow fitting for activity more active.How to show no bone strengths in era background thinking no bone instructional role in contemporary painting achieve the effective inheritance no bone painting is the purpose of this article.