Research On The Qixianqin Of The Zhuang Nationality From The Vision Of Organology

The Qixianqin of the Zhuang nationality is a kind of string instrument with Zhuang nationality characteristics.Yazheng,China' s ancient string instrument,has intrinsic association with the heptachord of the Zhuang nationality.In the instrument culture of Zhuang nationality,the shape and structure of Qixianqin are unique,and its music style is special,reflecting the smells of Han' s music culture.There are instruments that are similar to the Qixianqin in different territories,which is resulted of the spread of Yazheng,and the Qixianqin of the Zhuang nationality is the "living fossil" of Yazheng.The special meaning of Yazheng spreading to Zhuang nationality(a national minority in China)and taking root there is of significant research value.The research object of this article is the Qixianqin of the Zhuang nationality.From the research vision of organology,and utilizing the theories and research methods of musicology,organology,historical musicology,ethnomusicology,cultural anthropology and so forth to conduct historical reference and textual research and field investigation.Combining with historical inquiry to analyze the origin and historical route of the Qixianqin of the Zhuang nationality.The research on the historical development of the Qixianqin is in the longitudinal direction,and analysis of the spatial construction,musical instrument,music ontology and culture change of the Qixianqin are in the landscape orientation,explaining the musicology speciality and instrument culture of the Qixianqin of the Zhuang nationality fully and adequately.Studying the historical development of the Qixianqin of the Zhuang nationality on the vertical coordinate,firstly conduct a textual research on the origin of the Qixianqin,and educt its spreading process from Han nationality to Zhuang nationality;then,this artical divides the inheritting history of the Qixianqin of the Zhuang nationality into initial stage,silver age,weak period,Weiliandeng retention period,and improved period,and comb the general process of its historical development based on the scattered legends,folk ballads and dictation from actors,and record the existing form of the instrument,by which get to know the historical line and law of development of the Qixianqin.Studying the instrument culture of the Qixianqin of the Zhuang nationality on the horizontal coordinate.Analyze the construction speciality,making,playing way,performing style and music form of the heptachord from the vision of organology.Interpret and reflect on the advantages and disadvantages of improving.the instrument,and analyze deeply the development of the instrument culture from the vision of musicology.Combining the research methods of organology with that of natural science,social science,and humane studies to elaborate the spatial construction of the Qixianqin,the relation between ecosystem culture circle and its existence,and study the cultural and social function of the Qixianqin,and analyze the internal and external causes of its cultural change,and discuss the connotation of the instrument culture in the Zhuang nationality from the perspective of acoustics and image perception.Besides,this article explores the ways to revitalize the Qixianqin of the Zhuang nationality and reserve the cultural assets that only exist in Zhuang nationality.The renaissance and inheritance of the Qixianqin of the Zhuang nationality could be fulfilled by the combination with the national culture,and cultivate the inheritors of the Qixianqin,strengthen the protection to the Qixianqin,establish the intangible cultural heritage projects of the Qixianqin,develop the cultural industry of the Qixianqin,and build platform for the development of the ethnic music culture.