Dynamic Design Of Seven Traditional Festivals In China

In modern society,people's material level is constantly enriched,and then the spiritual needs are constantly strengthened.Affected by demand,the theme of Chinese traditional festivals is also changing.Graphics as a visual symbol of traditional festivals,intuitively reflects the cultural connotation of traditional festivals,the festival of static graphics has been unable to meet the people quickly receive information requirements in graphic content also with public life has caused the decline of its development disjointed.Along with the development of technology,the dynamic design gradually penetrate into daily life,and the visual form of flexibility can quickly reflect the integrity of the visual information,has become an important way of expression of visual information.In this paper,the Spring Festival,Lantern Festival,Qingming Festival,Dragon Boat Festival,the Mid Autumn Festival,the Tanabata Festival,Double Ninth Festival,as the main object of study,using the research methods of data collection and case analysis of festival connotation analysis,in accordance with the requirements of modern visual graphic design of traditional festivals in two.On the basis of making clear the connotation of traditional festival graphics,this paper explores the validity of traditional festival culture transmission from the perspective of dynamic graphics,and makes the viewers perceive the festival graphics in the visual and auditory sense,thus excavating the new design value of the traditional festival graphics in the dynamic design.