Research On Visualizing Indigenous Knowledge Behind Changsha Kiln From A Converged Perspective

Any handicrafts are characterization of the material of indigenous knowledge,which reflects both the specific living environment and the way of life,and the unique historical traditions and national cultures.However,with the infiltration of Western culture,the inheritance of traditional culture has changed.Besides,the traditional culture of the country is in conflict with foreign culture and traditional culture is being marginalized and disintegrated.Therefore,by the visual means to spread to the public indigenous knowledge behind the handicraft knowledge,attract public attention to handicraft culture,feel the charm of handicrafts,and enhance national identity,is an important topic of handicraft culture.However,the visualization of the current handicraft knowledge mainly focuses on the field of information visualization,emphasizing the presentation of objective facts,and little attention is paid to the view differences of various subjects behind local knowledge.In this paper,the visualization design of local knowledge in Changsha kiln exhibition is taken as an example,and a visual design framework is proposed,which is based on the combination of subjective and objective under multiple subjects.The framework is based on the mapping between handicraft knowledge and the physical,and constructs an interactive system of virtual reality superposition and angle dynamic switching.Through the different perspectives,local knowledge visualization in harmony with handicrafts is presented to the viewers,so that they obtain a comprehensive interpretation of Changsha kiln local knowledge.In this paper,the innovation in theory and practice mainly includes the following aspects:First,based on the mapping between handicraft knowledge and the physical,this paper proposes a multi-perspective fusion of handicraft knowledge visualization design framework.The system framework divides the visualization process into these five parts:the study of the perspective,the extraction of handicraft knowledge,the transformation of visual representation and the contents of the virtual reality superimposed;Secondly,according to the actual exhibition scene and virtual reality superimposed display,it puts forward a single-sided design pattern.The model includes four elements:users,interactive devices,physical exhibits and virtual digital media information.Through design integration of the above elements,it builds an interactive display system.Finally,by the investigation of Changsha kiln knowledge in perspectives of Changsha kiln culture inheritance and expert,it puts forward the difference in perspective,and then it uses the design framework summarized in this article to guide the design of Changsha Kiln knowledge visualization related design practice,thus confirming the feasibility of the visualization framework.This paper explores the knowledge of handicrafts from different perspectives and visualizes it,which greatly improves the comprehensive cognition of handicraft knowledge,effectively enhances cultural consciousness and the sense of local culture,and realizes the wide spread of regional culture.