Deducing,Adding,Deleting And Changing In The Trend Of Thought In Literature And Art Of The Times

In september 1957,Qu Bo's novel of Tracks in the Snowy Forest became popular as soon as it was published and became a best-selling work for “revolutionary popular fiction” at the time.From 1957 to 2017,after 60 years of baptism,Qu Bo's novel of Tracks in the Snowy Forest has also been adapted into Beijing Opera,drama,movies,television dramas and other art forms,with many versions.A third-rate novel text can be continuously adapted in sixty years.In the history of China,these 60 years of extremely great changes in political,social,literary and artistic ideas.This phenomenon itself is extremely interesting and intriguing.Taking this six works as objects of observation,this paper takes the phenomenon of film and television drama adaptation in Tracks in the Snowy Forest as a case,and starts with the deduction,addition,deletion and transformation of six representative film and television adaptation derived texts,and through the novel of Tracks in the Snowy Forest comparing and contrasting,analyze the characteristics of the times of these six different film and television dramas,explore the deductive trajectory of contemporary literary thoughts and popular psychology,and reveal the underlying causes of these phenomena,and that the literary trends in different eras were adapted to the film and television adaptation of Tracks in the Snowy Forest spiritual penetration.This thesis is mainly composed of introduction,text,conclusion and so on.The introduction is divided into four parts: first,introduction to Qu Bo's creative experience and the novel Tracks in the Snowy Forest published response;Secondly,combing the adaptation of film and television in the novel of Tracks in the Snowy Forest;Then,the novel of Tracks in the Snowy Forest film adaptation of the research status at home and abroad.Finally,expounds the main viewpoints of this dissertation,writing goal and innovation.The text consists of three parts:The first part: Through the analysis of the purification style of the emotions of the characters in the film version of Tracks in the Snowy Forest(Taking of Tiger Mountain)directed by Liu Peiran in 1960,rearranges the order of heroes,and explains the rewriting of negative characters.The socialist realistic literary trend of thought and the“two-in-one” creation principle and the complex influence of the literary and art policy during the adjustment period on the film adaptation;Through the analysis of the addition,deletion,artistic expression of the plot of the Taking of Tiger Mountain by director Xie Tieli in 1970.The use of means,the innovation of film techniques,the demonstration of the perfect combination of model movies and the “three prominence” literary theory,elaborates the role of radical “leftist disciplinary” literary trends in literary and artistic creation.The second part: The 10 episodes television drama Tracks in the Snowy Forest directed by Zhu Wenshun in 1986 was the product of the return of humanitarianism.The 30 episodes of Tracks in the Snowy Forest in 2004 embody the spiritual penetration of deconstructionism in literature and art to the present film and television editors.The third part: Taking the 2014 version of 3D film Taking of Tiger Mountain as an example,this paper analyzes the global context,the “gaze”and the invasion of the current culture and mass psychology given by Xuke to the model opera across time and space;Taking the 64 episodes of TV series Tracks in the Snowy Forest,directed by Jin Shuhui in 2017,as the object of observation,this paper discusses the connection between her creative ideas and the present literary and artistic policies.Conclusions: Through the analysis of the above six representative texts of the deduction,addition,deletion,and changing of the adapted film and television texts,and the comparison with the original novel Tracks in theSnowy Forest,we can see the deductive trajectory of contemporary literary thought and popular psychology,and The ideological trend of literature in different times and the policy of literature and art for the spiritual penetration of the adaptation of the film and television drama of Tracks in the Snowy Forest.In addition,the novel Tracks in the Snowy Forest can be prosperous in the 60 years of social changes and is closely related to the“populist elements” and “entertainment features” of the work itself,and the novel text is obscured by the revolutionary discourse.Potential texts such as the narrative connotation have been valued and tapped since the 1980 s,which cater to the cultural aesthetic expectations of today?s people.This is the basic reason why it can be paid attention to and adapted constantly under different literary trends in different historical periods.