Detailed Judgment

The word "part" is rarely connected with art. "Parts" are usually one part of an artwork, or an irremovable part of an art work. However, in this thesis I define "parts" as the material for artwork:this material is perhaps time, perhaps a period of writing, or perhaps a detail within life. What is the relationship between these parts and life? I would like to quote a statement by Li An:"I hope to take different stories and express them to the audience, and then have the audience filter these stories internally. Regardless of however well a film is shot, it will never be as good as the way the audience imagines it in their minds." It's almost as if this'initiation'is an attempt to elicit the audience's judgment, as the local artist throws clues to the audience. However, the audiences's imagination of the art process becomes the most valuable part, with viewers integrating their own knowledge, feelings, experiences, understanding and values into the works. Thus, the work's significance is not set in advance by the individual artist, but is rather formed through the process of participating in this experience. This thesis discusses the imagination of a visual concept from imagine from the perspective of deductive reasoning allowing discussion of art with the artist providing the audience clues in order to develop their own emotional imagination. The first part of this article explores how artists function as unique individuals, while the second part deals with contemporary art and how interaction with the audience engages spiritual imagination, and also the universality of the concept of contemporary art. Finally, the third part deals with partial knowledge and judgment, analyzing these concepts as a creative background to talk about some of my own experiences.