The Application Research Of Huanian Shadow Play In Graphic Design

As part of folk culture, shadow play is the most comprehensive artistic form which colligates the modeling technique of paper-cut, the usage of color in New Year pictures and the operating skills in puppet. The shadow as the representative of the traditional folk art can develop in the long history of more than 2000 years since the development, which is enough to prove that Chinese traditional culture in the whole social and cultural status is unshakable. With the rapid development of economic, the promotion of social status, more and more designers began to recognize the unique position of traditional culture and realized that in order that the design of our country shine in the international arena,we must be in ensuring combination with foreign culture basing on the unique local culture, and the combination. A good representative of the design behind is inevitable that it contains a profound cultural connotation and in line with the needs of the nation's emotional needs and cultural value, and is the integration of our national aesthetic ideas and modern graphic design. Therefore, in recent years, as one of the folk culture, the shadow is payed close attention to extensively, and shadow HuanXian art not only unique representative and regional style in many shadow art, but also is still the traditional folk culture exudes its unique art charm. How to get the shadow play into the modern plane design to provide new breakthrough point for the development of graphic design is to attract the attention of scholars, but the current domestic modelling characteristics about shadow play and graphic design of the application of literature is less, the modelling of some literature for shadow play characteristics in the application of graphic design is, in this paper, based on the research background and the status quo, combined with some cases of the shadow play in the application of graphic design has carried on the research.This paper mainly consists of four chapters.The first chapter describes the research purpose and significance of this article, on the basis of carrying forward traditional culture offers a new possibility for graphic design. Analyzes the research status quo of shadow play:at present, in recent years many about shadow play art books, papers, mainly focus on the folk custom, aesthetic or deals with the formation, evolution of a regional shadow play and the inheritance and protection for shadow play, etc. In the existing books about graphic design and theory, the general about the nationality of the influence of the folk art or graphic design a lot of articles, but effect of the in-depth analysis of shadow play in graphic design and application of word is less.The second chapter describes the development history and the current achievements in Shadow Play of HuanXian, to analyze the influence the formation and development of DaoQing Shadow Play, which caused by the unique geographical location and cultural environment in HuanXian, and to summarize the development course of DaoQing Shadow Play of HuanXian.The third chapter introduces the shadow HuanXian modeling technique and behind the folk aesthetics, overview of shadow art modeling figures of cartoon figures of the plane, figures of art as well as the figures of the opera features.The fourth chapter is the focus of this paper. Firstly, discusses the conversion of the shadow in graphic design inevitability. Followed by the shadow geometric shape symbols, graphic imagery deconstruction, exaggerated performance practices and techniques and lighting just right combination of hollow sculpture isolated out, one by one to find their entry point in modern graphic design. To offer a new breakthrough for the graphic design of the development.