Research On Mural Tombs Of Mongol Empire And Yuan Dynasty In North China

The northern region mentioned in this article mainly refers to the vast area of the Qinling Mountains in the People's Republic of China,north of the Huaihe River and east of the Qinghai-Tibet Plateau,including North China,Northeast China and Northwest China.The Mongolian period was a combination of the Mongolian period(1206-1271)and the Yuan Dynasty(1271-1368).Archaeological discoveries reveal that the tombs of the northern Mongolian mural tombs include brick room tombs,stone chamber tombs,brick room mixed tombs,and earthen tombs.The planar shape can be divided into square,round,and polygonal shapes.In general,Song Liaojin was inherited.The shape and construction characteristics of the tombs of the period.The tomb decoration of the mural tomb contains various aspects of indoor daily life scenes,outdoor activities scenes,religious beliefs,historical stories,etc.of the multi-ethnic people at that time.The characters appearing in these contents are “Po Jiao”,Li cap,aunt crown The hair style and cap crown with Mongolian characteristics and the traditional Han costume style reflect the fashion style of the Mongolian and Han nationalities.Banquet pictures,tea preparations,wine maps and travel hunting,music and dance pictures,Zaju,filial piety images,landscape images,and Kaimen maps show the material culture and spiritual beliefs of the Yuan people in terms of food and entertainment activities.The contents of the ethnic group and so on have truly reproduced the rich and colorful social life and ethnic integration in the Mongolian era.This article is divided into five chapters.The first chapter is the introduction part.Firstly,it defines the time and space range of the Mongolian mural tomb in the northern region.On the basis of comprehensive collection of relevant archaeological excavation data,it sorts out the research situation of scholars at home and abroad,summarizes its research status,and defines the archaeological The related research methods such as typology,image evidence history,cultural factor analysis,and history theory are used in this paper,and the innovations and inadequacies of this paper are summarized.The second chapter systematically combs and analyzes the types of tombs and tombs and decorations of the mural tombs in the Northern Yuan Dynasty.The tombs of the Mengyuan mural tombs can be divided into four categories: brick room tomb,stone room tomb,brick room mixed tomb,and earthen tomb.The tombs are rich in decorative styles,and their expressions can be summarized as carved bricks and murals,stone carvings,etc.The image content includes home life,outdoor activities,landscape stories,and dutiful stories.From the regional perspective,the Mengyuan tomb murals in the north of the Great Wall have nomadic and travel maps showing images of Mongolian characteristics,and the number of funerary objects is small;those in the south of the Great Wall are still feasting,filial piety stories,etc.The cultural characteristics are the main subject,but in general,the tomb murals of the two regions show the style characteristics of the integration of Mongolian and Han nationalities and the blending of multi-ethnic cultures.The third chapter explores the material and spiritual life of the Mongolian Yuan period reflected in the decoration of the tombs of Mengyuan murals.The costumes and hair styles,rich food and entertainment activities in the mural paintings of the Mongolian murals reflect the social life in the mixed state of Mongolian and Han culture in the Northern Mongolian period;the dutiful figures in the tomb murals Decorations such as Taoism,Ascension,Landscape Retreat,and Buddhist Themes show the parallelism of Confucianism,Buddhism,and Taoism in the Mongolian Yuan Dynasty.This is closely related to the political background and ruling politics at that time.The fourth chapter discusses macroscopically and systematically on the judgments and opening maps of Mongolian tombs in the tombs of Dong'er Village in Shaanxi,such as the tombs of Dong'er in Shaanxi and the tombs of the Yijia Mountain.From the archaeological findings,there are not many materials about the tombs of the dynasties in the Yuan Dynasty.Some of the figures in the tombs of the murals have a clear Mongolian cultural style.It is generally believed that the paintings with the characteristics of the Mongolians are painted on the main wall.The mural tombs of the Mengyuan period,such as drinking and hunting,are Mongolian tombs.The images of the Kaimen in the mural tombs of the Mongolian period haveimages of women,men and children.They are more flexible in expression and full of secular life.The cultural features also reflect the characteristics of Mongolian and Chinese culture.The fifth chapter is the conclusion.