Space Narrative Research On Domestic Highway Films

In recent years,the domestic road movies have been appeared successively in the country.The domestic road movies combined with local characteristics began to embark on the pioneering and innovative road,and the market share continued to increase through exploring.The domestic road movies were loved by a large audience with the unique patterns and types of elements.Xu Zheng's movies-the series of “Lost” has injected new vigor to the present domestic movies,which made up for the lack of the domestic road movies.And they let audience see Chinese filmmaker's efforts to the development of move industry again.The domestic road movies haven't received proper attention even if they are long-standing.The research on movie theory and practice has not reached certain depth,while the research materials of spatial narrative were even less.Combined with the development of domestic road movies,this article analyzes its spatial narrative from four dimensions,digs up its national identity,and explores its positive effects on the spread of mainstream values as well as the excavation of humanity.This article consists of 5 parts.The first part is the introduction which contains three aspects:the background and significance of the research;spatial narrative,road movies,and the research status of Xu Zheng's movies-the series of “Lost”;and the definition of related concepts.The first chapter focuses on action space and summarizes the environmental display of the domestic road movies' narrative from three aspects: flowing exotic scenery and consumption road,all kinds of transportation and complex traffic,modern science and technology landscape and urban framework.The second chapter focuses on screen space and elaborates the characteristics of image expression of the domestic road movies' narrative.Spiritual space is studied in the third chapter.It summarizes the psychological process of the protagonist during the journey: escape to the road with anxiety;searching a way out;returning home,and fulfilling soul salvation.The forth chapter emphasizes on aesthetic space.This article concerns with social reality from the perspective of civilian and returns to mass culture from landscape narrative.It rewrites values and fuses multielements to realize the value integration of domestic road movies' narration.