Current Situation Of Contemporary Chinese Brocade From The Perspective Of Aesthetic

Brocade is the most luxurious and elegant of the traditional Chinese silk fabrics.Because of its exquisite materials and complicated craftsmanship,it is difficult to weave and the price is very expensive.Therefore,Liu Xi in the Eastern Han Dynasty said in the "Release of the Name" : "Jin,Jin also.The use of merits,such as gold,so the word ? and gold also." From the Western Zhou Dynasty,to the Ming and Qing Dynasties,Jin Cong Ancient times have been the slaves,nobles,emperors,bureaucrats,high society,and the luxury of the rich.Although many ethnic minorities in our country also have their own brocade crafts,many ethnic brocades are used only for traditional festivals and ceremonial occasions because of their powerful witchcraft nature.They are not the supply of most people's daily life.With the development of society,the development of the economy,and the continuous improvement of people's quality of life,the demand for various spirits and material high-end goods is also increasing.Brocade can be the design object of modern art,covering art appreciation and real life products.As an important component of Chinese traditional culture,brocade craft has been continued for thousands of years and constitutes a corresponding form.From the long course of development,we can see that regional culture has a distinct influence on craftsmanship and style,as well as a common memory of tradition.Even if it is continuously modified and expanded through the influence of ideas and technology,it will be compared with other categories,and it will be found that the connotation is more from the parent.The progress of modern life and rapid economics has led us to enter a fast-moving society.For thousands of years,foreign cultures and new lifestyles have been transforming people's minds.The traditional brocade process of the past has been greatly challenged.The traceability of typical traditional art patternsis a continuation of traditional culture and the development of individual processes is crucial.Whether it is holistic or local,it demonstrates the wisdom of folk artists who have inherited and extended folk traditions for thousands of years.The Chinese folk art treasures have been passed down to the present,and there are luxurious brocades.As an important part of the Jiangsu-Zhejiang brocade,it also reflects the real environment,culture and art and living conditions at that time.Nanjing Yunjin is an outstanding representative of China's excellent traditional culture.It is also known as the top three famous Chinese brocades.Because of its beautiful and beautiful,the beauty is named after the sky and clouds.Wu Meicun,a poet of the Ming Dynasty,once praised Yunjin in "Wang Jiangnan","Jiangnan is good,the machine is smashing the sky,the peacock makeup flower is smashed,the ice silkworm vomits the phoenix,and the new small group dragon." Due to its rich cultural and scientific connotations,Yunjin is known by experts as the last milestone in the history of ancient Chinese brocade crafts.It is one of the most precious historical and cultural heritages of the Chinese nation and the world.Song Jin originated in the Sui and Tang Dynasties and was named after the prosperity of the Song Dynasty.It was developed on the basis of the Tang Dynasty.According to legend,after Song Gaozong Nandu,in order to meet the needs of court costumes and paintings and paintings at the time,production began,especially the rise of the frame painting industry,which formed a special purpose and unique artistic style.Song Jin is a brocade with pure mulberry silk or mulberry silk warp and rayon rayon weft woven color latitude and color.It adopts three twill weaves and two warp threads(the surface is made of natural raw silk,and the base color is colored with colored silk)Three kinds of colored wefts(color latitude for both pattern and land and color latitude for two special woven patterns)are woven.Song Jin's patterns are complex and varied,and the patterns are flexible and varied.Hangzhou Modern Brocade is equipped with high-quality digital high-tech simulation color technology,and weaving all kinds of brocade products full of modern style,such as cheongsam,Thangka,various humanities and artistic works,reflecting the aesthetic pursuit of the contemporary public,but also applied in China.Diplomacy has a very important rolein the history of the development of brocade.This paper takes the representative of the brocade in Jiangsu and Zhejiang as examples,namely Nanjing traditional Yunjin and Suzhou Songjin.Hangzhou Modern brocade analyzes their respective characteristics from the aesthetic point of view,and draws similarities and differences,and summarizes the development and inheritance of brocade in the contemporary social and cultural environment.law.From the common law of universality to the particularity of individuality,the transformation and development of Chinese brocade craftsmanship and style are summarized.Based on the comparison of its unique background and people's life experience,it is concluded that the current brocade and even the contemporary brocade in the development of dyeing and weaving in the future,through the analysis of aesthetic perspective and thinking how to make the public in the future Produce more rational and clearer aesthetic attitudes and values.In this way,the young people will inherit and accept the tapestry in the current cultural state.More importantly,in this process,we will find and seek ways to better integrate brocade into the cultural and creative industries.So in the final analysis,the focus of this article is that most of the previous literature research on brocade is based on the improvement of process technology and ornamentation design,or the regeneration and sumarization of design patterns,but the analysis of the connotation and aesthetic value of brocade in the humanities and arts disciplines is very Less,or even tend to be absent,so this time the use of some aesthetic perspectives of China and the West on the tactile aesthetics and visual perceptions in the modern brocade material form,the most important is its practical aesthetic and humanistic artistic value,Even if no one studies,it cannot be ignored.So the importance of this article is self-evident.It is intended to summarize and summarize the existing development profiles for the better inheritance and development of the brocade process,with a very important significance of human values.