Clay Sculpture Documentary Creation Research

In Chinese ancient myths and legends,Nu Wa created human being mythology stories have been widely circulated.Soil plays an important role in human society.Soil seems that ordinary do not care about but quietly nurture everything,providing the most basic food,clothing,housing,and living places for human beings.China's clay sculpture art emerged rapidly after the Neolithic Age,and development into the Han Dynasty was an important art category at that time.The art of clay sculpture adds a bit of color to life,production,worship,etc.,and at the same time it carries the history and culture.All kinds of clay sculptures in the country are dazzling and dazzling.Among the many clay sculptures,there are geographical representations such as: Wuxi Colorful Plastics,Huishan Clay Figures,Tianjin Clay Figures,Nanjing Clay Figures,and Fengxiang Clay Figures.Related clay sculpture art documentaries are representative: "inheritance at the fingertips","craftsmanship","retention of craftsmanship" and so on,but only a handful of film and television works and literature on Lanzhou's clay sculptures remain in the newspapers,Weibo,We Chat and other media display pictures and brief reports on Yue Yunsheng's clay sculptures.There are few literatures and film and television works on Yue Yunsheng's clay sculptures.As a city-level intangible cultural heritage,Lanzhou clay sculpture has distinctive regional characteristics,artistic characteristics and artistic aesthetics.At the same time,due to the rapid development of the times and science and technology,if Lanzhou clay sculpture only stays in the simple introduction of traditional media or picture text,it is difficult to have Dissemination and influence.This article summarizes the characteristics of clay sculpture art documentary narrative features,lens language and other characteristics by studying the artistic profile of art sculptures of clay sculptures,artistic characteristics,and comparison with domestic excellent clay sculptures.It then combines the personal creation film “Yunsheng Wanli Jincheng Chouxiang” to cast Yue Yunsheng into clay sculpture.Art was put into the conflict between the rapid development of society and the survival of traditional folk art.It highlighted Yue Yunsheng's unique artistic understanding of Lanzhou clay sculpture and summed up the problems and deficiencies in documentary creation.As a new type of media that is popular with a wide audience,documentaries can be quickly disseminated through mobile,Internet,and television.This will not only allow Lanzhou clay sculptures to spread more widely andwidely,but also integrate and record audiovisual images to maximize the collection and recording of Lanzhou.The details of clay sculpture and Yue Yunsheng's artistic understanding.At the same time,it explores the impact of changes in society and technology on traditional folk art,explores the advantages and disadvantages of domestic clay film and television documentary transmission,and hopes to find new features and new rules in the development of clay sculpture documentary films from a folk traditional clay sculpture technique that is about to elapse.For future collection,research,shooting Lanzhou clay sculpture provide reference information.