The Avant-garde Narrative Of Li Bihua's Popular Novels

Li Bihua is a famous woman writer in Hongkong in 80 s.It is called "the first person in the world." her characters are colorful,her style is profound,her perspective is unique,and she is a wonderful flower in Chinese novel.Li Bihua is good at writing novels and prose,and among them the most popular novels,such as "farewell to my concubine","green snake" and "Qin terracotta warriors" are all unique in Chinese contemporary popular novels.Compared with other contemporary popular novels,Li Bihua's popular novels reflect vanguard characteristics in their contents,themes and artistic techniques,which are indispensable models for the avant-garde writing of Chinese popular novels.Li Bihua's avant-garde writing is embodied in all aspects of his works,which embodies a pioneering attempt,such as adding the story to the western film and television symbols,and having his own thoughts on the theme,such as the story pattern that subverts the love and reunion of the traditional talent and beauty,and the hearts of both sides in the writing of love.It makes full use of the technique of Defamiliarization and reveals the multifaceted nature of life by the evil of human nature,and presents her unique skills and vision in the creative and artistic aesthetic,which fully displays the unique value meaning of his novel's avant-garde character.This article mainly based on the traditional popular novels in themes,themes,characters,writing methods and value and so on,compares the traditional popular novels with Li Bihua's creation,and thus draws the avant-garde and the uniqueness of Li Bihua in these aspects.The full text is divided into six main parts:The first part is the introduction,mainly from the theoretical concept and the background of the times,and analyzes the reasons why Li Bihua's popular novels have the characteristics of avant-garde.In terms of theoretical concepts,it is clear that avant-garde belongs to the unorthodox part of elite literature,while popular literature belongs to popular literature.It seems that the two literary forms with obvious boundaries can be integrated to a certain extent,thus promoting the pioneering performance of Li Bihua's popular novels.In the context of the times,since 1990 s,China has formed a distinct transition period and an experimental context of modern literature.Literature is divorced from the context of the feudal culture dominated by agricultural civilization.At the same time,the concept of "Modernity" and "avantgarde" in western culture has entered the middle of the world.The developed cities on the coast of the country are characterized by multiple coexistence in literary creation and literary criticism.The model constitutes a peculiar literary landscape at the turn of the new century,and the second climax of popular literature since the "new period".Such a creative background makes Li Bihua's popular novels provide a new direction for the creation of popular novels after integrating the avant-garde characteristics.The second part of the first chapter from the novels of the novels of Li Bihua popular novels after the integration of the avant-garde characteristics of the traditional popular novels on the theme of a elimination.For example,the same is the theme of reincarnation,Li Bihua is good at integrating some western film elements,while weakening the background and highlighting the story itself.It is also a reversal of the position of the supporting role in writing female themes,revealing the essence of women's eating and eating,and profoundly reflecting the source of female suffering.In addition,Li Bihua is also good at writing ghosts.She has changed the ghost image of our traditional impression of horror and resentment.She has created a personal character and a ghost image with Hongkong regional characteristics,making readers fresh and fresh.The third part,the second chapter,mainly explores the rebellion and subversion of Li Bihua's popular novels because of the fusion of avant-garde characteristics.For example,Li Bihua no longer simply writes the beautiful and perfect love between men and women,the pattern of talented and beautiful people is broken,and the combination of men and women is sometimes just for the benefit.The setting of the ten mile field is no longer only a city in Shanghai,but the melting pot in Hongkong reflects Li Bihua's hidden Hongkong consciousness and the concern of the turn of the century at the turn of the century.However,in any case,as a people of the Chinese nation,Li Bihua always does not forget his national identity in his heart,which reveals his identity to his national identity.The fourth part and the third chapter,through the deep section of the character image and the deep excavation of the character's heart,breaks the traditional character prototype of popular novels,and integrates the positive and negative characters of the characters into one of the characters,and shows the multifaceted and complex character of the characters.At the same time,Li Bihua no longer simply exaggerated the good of human nature,but expressed the accident and uncertainty in the real society through the evil of human nature,the atmosphere of exaggerating the horror and the unexpected ending,thus reflecting the interests and moral nature of human alienation in the modern society.The fifth part,the fourth chapter,mainly displays the multilevel nature of Li Bihua's popular novels from the perspective of writing methods.In the narrative perspective,Li Bihua narrates the diversification of the subject,no longer is the simple "I",the ghosts,the evil and so on are the narrative protagonists of the story;in the narrative time,the long span of time brings a strong historical deep sense,because the narrative subject ghosts evil evil changes,the narration time also becomes subtle.In addition,Li Bihua not only broke the time constraints,in space,but also with his own play to create a changeable psychological space and imagination space,so that the unscruptive play of the characters.Finally,the sixth part and the fifth chapter,from the value aspect,discusses the beneficial attempts of Li Bihua's novels on the traditional basis and the creative level of modern avantgarde.The full text,based on the detailed interpretation of the artistic techniques and spiritual values of Li Bihua's works,takes Li Bihua as an example based on the traditional popular novels,and discusses the writers' thinking and understanding of popular novels in the new period after the new period,thus making a certain supplement to the present popular literature.With his deep and treacherous style of writing,Li Bihua integrated the avant-garde writing techniques to show the distinctive artistic charm of traditional popular novels.Li Bihua's popular novel,which combines vanguard creation,caters to the people's reading expectation in the new period and shows the vanguard characteristics in the popularity of the novel.The pioneer study of Li Bihua's popular novels helps us further understand the characteristics of his writing,and also provides a direction for the innovative development of Hongkong literature.