Research On The Category Of Xionghun In Ancient China

Xionghun is one of the important theoretical categories in ancient China,it has a rich content and profound meaning.The study of ancient category Xionghun in China mainly starts from the origin of the category of Xionghun,the course of development of the category of Xionghun and the connotation of the category of Xionghun.The first part mainly discusses the origin the category of Xionghun.Xiong and Hun are two concepts that are not related to each other.The characteristics of Xiong focus on Strong,Great,Energetic and so on.The characteristics of Hun focus on Hazy,Integrated,Rustic and Grand and so on.After a long time of accumulation,the word “Xionghun” in the Tang Dynasty appeared in people's field of vision.Xionghun are influenced by the ancient thought of Great deeply.In Pre-Qin period,Confucianism mainly praises the greatness of personality cultivation from the moral and ethical standpoint.Taoism,on the other hand,stands for its immense respect for the emptiness from the philosophical standpoint.In Han Dynasty,Hanfu's grand style urged Great to prosperity.The creation of Hanfu is inseparable from the active and energetic spirit of writer and his broad mind.Later generations of writers recognize and absorb it.It has far-reaching implications.The second part mainly discusses the development of Xionghun.Scholars usually used Xiong to comment on the style of poetry since the Tang Dynasty.With the formation of new writing style,Xionghun appeared.Until the appearance of Twenty-four Poems in late Tang,it has brought the category of Xionghun to maturity.The poet perfected the connotation of Xionghun in Song Dynasty and Yuan Dynasty.On the one hand,Yan Yu thought there were nine kinds of styles of poetry,and Xionghun is one of them.On the other hand,Yan Yu distinguished Xionghun and Xiongjian.Liu Kezhuang thought Xionghun should express patriotic feelings.It makes Xionghun more deep feelings.lu You pointed out Xionghun should have a deep patriotic sentiment.At the same time,he stressed that Xionghun should inherit the spirit of traditional Fengya.He emphasized the natural expression,too.Dai Fugu's Xionghun advocated scrutinizing words and natural expression.At this point,Xionghun's connotation basically fixed.During the Ming and Qing Dynasties,Xionghun category entered the conclusion period.Xie Zhen's main point is the focus of Qi is Xionghun.It is a basically summary of theprevious man-made works and theories.Wang Fuzhi proposed that the feeling of Xiong doesn't show up.He point out that implicitness plays an important role in Xionghun.The third part mainly discusses the connotation of Xionghun.Its connotation can be analyzed from two aspects: works and writers.In terms of work's Xionghun,it should has the most powerful and magnificent features.It also should has the feature of implicitness at the same time.When it comes to Xionghun,the author's subjective conditions are also very important.On the one hand,writers need to have a broad of all-encompassing and deep emotion to everything.Only in this way will it be possible to an infinity in the pen and to make the work more contagious.On the other hand,writers need to have a profound cultural heritage in order to ensure the possibility of natural words.