Research On Flower Works Of Chinese Female Oil Painters

This article explores the characteristics and style of oil paintings by female artists in the context of the historical context of “Chinese Oil Painting”,from the artistic experience,artistic practice,and participation in artistic activities of Chinese female artists.From the perspective of women,the formation,development and evolution of painting works on oil paintings can reflect Chinese female artists’ painting achievements,academic achievements and social influence.Through the case analysis of female oil painters in different periods and combining the social environment,lifestyle and other aspects of the development stage of oil painting since the 20 th century,we can see the establishment of artistic standards in different periods,what viewpoints have been put forward for female practitioners,and what results have been obtained What are the effects? It is important to understand how women are involved in a widely accepted art judging system.This article,in chronological order,divides the research sequence into three phases.At each stage,representative Chinese female oil painters were selected as research samples.Through their research on artistic experience,learning process and works information,they understand their individual values.Through the collection and analysis of the total amount of their oil painting works and the number of flower works,they can understand their values of the times.By summarizing the characteristics of each stage,the overall trajectory of women’s oil painting development is sorted out,and their artistic value is explored.The results of the study have three aspects.First of all,from the point of view of style communication,it is concluded that female flower painters’ flower works in the early 20 th century reflect the spread and development of Western art in China.The female oil painters who stayed in France spread the style of the European classical school and the French post-impressionism art trend in the late 18 th century.The female oil painters who stayed in Japan spread the style of Impressionism.The flower works of female oil painters in the middle of the 20 th century reflected the spread and development of Soviet realism art in China.The flower works of female oil painters in the late 20 th century reflect the development of American contemporary art in China and the results of artistic thoughts from different stages of the country.Then,from a thematic point of view,it is concluded that Impressionist still-life flowers are the subject of early oil paintings.With the development of historical development,after the middle of the 20 th century,flowers became the metaphor of revolutionary spirit.By the end of the 20 th century,the theme of flowers was increasingly diverse,mainly used to express the value of women themselves.Finally,relying on the cultural heritage of the nation,using creativity and education as a method,and using exhibition communication as a link,it is the driving force for the advancement of female oil painter’s floral works,creating more value for the collision and sublimation of diverse cultures.