Study On The Tragic Aesthetics Of Women's Films Of Stanley Kwan Kam-Pang

Stanley Kwan's female film researchers mostly put their eyes on feminism and feminine consciousness,but seldom studied their tragic aesthetics.The tragedy of Stanley Kwan's feminine films is deep and strong,and is consistent with each other.This paper,using the tragedy theory in the aesthetic field of view,focuses on the tragedy of Stanley Kwan's female films and reveals the female and male tragedies of the film.It is beneficial to deepen the aesthetic understanding of Stanley Kwan's female films and extend the aesthetic research field of Stanley Kwan's female film tragedy.This paper first introduces the situation of the subject and combs the research literature of Stanley Kwan's film.Second,the definition of female movies,and then define Stanley Kwan's seven female films as research texts.From the direction of the director,the analysis of the tragic causes of Stanley Kwan's female films helps to understand the tragedy of the film.Therefore,this article analyzes the reason for the director to be keen on the tragedy from three angles.Then it analyzes the tragic aesthetic connotation of Stanley Kwan's feminine films,and explores women's tragedies and male tragedies.Revealing the causes of the tragedy of women lies in the conflict between destiny and men's power and personality.It is pointed out that silent derailed rebellion and explosive death revolt are the response to conflict and the core of tragedy.In view of the neglect of men's tragedies in previous studies,this article,from the perspective of the ugliness,thinks that men in Stanley Kwan's female films are ugly,because they are "moral evil",but sometimes the so-called "evil" is also a helplessness,and they are in a dilemma.Therefore,this paper holds that the male in the movie is also tragic.This article discusses the tragic aesthetic expression of Stanley Kwan's feminine films.From the four aspects of theme application,narrative mode,character design,audio-visual expression,this paper analyzes how the movie shows tragedy.At last,it analyzes the tragic aesthetic value of Stanley Kwan'sfemale films,and decomposes the high value of love,the outstanding gender equality,and the three aspects of human concern.