Research On The Inheritance And Development Of Lei Opera Of Zhanjiang's National Intangible Cultural Heritage

The nineteen major reports of the Communist Party of China indicate that strengthening culture and self-confidence is the key to promote the development of socialist culture.The cultural construction,as an important part of the current national macro overall layout,is an important guarantee for the realization of the socialist modernization and the great rejuvenation of the Chinese nation.With the rapid development of cultural undertakings in China in recent years,the people's cultural needs are increasingly strong and cultural gain has been greatly improved,and the voice of "Chinese brand" and "Chinese image" is rising increasingly.Lei Ju is mainly spread in Leizhou Peninsula and Leizhou dialect area.It is one of the four major dramas in Guangdong,and is loved by the people in Leizhou peninsula.Lei Ju was listed in the third batch of national intangible cultural heritage list in 2010,which has milestone significance in the historical process of Zhanjiang local culture development.Promoting the inheritance and development of Lei drama fully embodies the idea of innovation,coordination,openness and sharing in the five development concepts.Its development is the development and mode of thinking of innovation and development;its coordination is to coordinate the balanced development of modern culture and traditional culture;its opening is to promote the exchange of mine drama and other kinds of drama and even cultural types,and promote the great development and prosperity of Chinese culture,and its sharing,is the cultural connotation and artistic value of excavating mine.Let the people of Zhanjiang enjoy the value of the art of thunder.Although thunder play has extensive influence in Leizhou Peninsula,the inheritance and development of mine drama are faced with many problems due to the differences of language and culture and the complex influence of historical changes.Therefore,it is of great significance to promote the inheritance and development of mine drama in the new era.Based on the above,the thesis is mainly studied from the following seven parts: the first part clarifies the two aspects of the macro and micro aspects of the nonlegacy play,illustrates the significance of its research,and comprehensively expounds the research on the intangible cultural heritage at home and abroad,and points out the innovation andshortcomings of the study,and the second part.It defines the concepts of non material cultural heritage,national intangible cultural heritage,thunder drama and other related concepts,and introduces the basic theories of cultural reproduction theory,heritage conservation theory and cultural industrialization theory.The third part summarizes the overall situation of the inheritance and development of Zhanjiang mine drama,and uses questionnaire survey and interview records.In the fourth part,according to the analysis results of the questionnaire survey and the summary of the interview records,the fourth part puts forward the main problems of the inheritance and development of the thunder drama on the basis of the existing academic theory research and the actual situation of the mine drama,and the fifth part is fully used for the Dong opera,the Chaozhou Opera,and the development of the drama.The case of the inheritance and development of the local typical non legacy projects,such as Huangmei Opera,summarizes its successful experience and enlightenment,and provides useful reference for the inheritance and development of mine play;the sixth part mainly puts forward specific countermeasures and feasible suggestions to realize the inheritance and development of thunder drama,so as to promote the orderly inheritance and good development of the thunder drama;seventh It summarizes the research conclusions of Lei drama's inheritance and development,and puts forward the future prospect.