The Use Of Chinese Traditional Auspicious Patterns In Ceramic Decoration

In the history of the development of Chinese traditional ceramics,the auspicious ornamentation has always run through the whole time and space system of ceramic decoration.Since the pattern to "decoration" form presented in artifacts,and has gradually developed into an indispensable element in ceramic decoration,it is a kind of happiness,the ancestors of the peaceful,simple life value and aesthetic value,the concept of heaven.The decorative thought of "the picture must be intentional,the meaning must be auspicious" also embodies a strong folkloric meaning,which is a alienated humanistic mood.In the world decoration history,Chinese auspicious pattern is a unique form of decorative performance,reasonable and proper extraction and mining form elements in them,be able to set up the national culture on the core of construction,design works and cultural system has experienced decoration characteristics.Through the understanding of decoration and design and the practice of ceramic art design practice,this paper tries to intervene in the auspicious pattern of traditional ceramic decoration in the perspective of modern globalization design,so as to show its understanding of localization design in form.At the same time,on the basis of practical analysis and case analysis,it integrates the thoughts and views of the native and the world of the contemporary ceramic design.