Research On The Cross-cultural Communication Of Aamir Khan's Movies In China

As a form of entertainment,movies can convey the customs,historical traditions,religious culture,and natural features of a country to the audience of another country.It is the most effective carrier of cross-cultural communication in the world today.Since the country began to import films from India in the 1950 s,Indian movies have been deeply loved by our audience for its beautiful song and dance performances and touching storylines,and made Indian culture spread in China.enormous contributions.After entering the new century,India has sought to open up the international market.It has incorporated the advanced experience from Hollywood while retaining the essence of traditional Indian cinema.It has begun to promote new concepts of Indian cinema and has made many achievements at the International Film Festival.It has become India's mission to the world.An important part of cultural output.When it comes to the status of cross-cultural communication of contemporary Indian cinema in our country,Aamir Khan and his film work is a very good research object.His works are not only well-known in India,but also won more awards at world-class film festivals.The high reputation abroad is deeply loved by the audience in other cultural backgrounds.Since ancient times,China and India have always been friendly neighbors.The cultural exchanges between the two countries have never stopped and have similar national conditions.Therefore,this phenomenon is particularly evident in China.2017 Wrestling!Daddy successfully launched a "Aamir Khan fever" after it was released in China.Many viewers not only liked Aamir Khan's movies,but also spontaneously recommended it to relatives and friends for watching and receiving rave reviews.Aamir Khan's film can cross the gap between the two different cultures of China and India to convey information and emotions,and has certain research value.Taking Aamir Khan's film work as the research object,through the concrete analysis and interpretation of Aamir Khan's film transmission in China,he explores the Chinese audience's understanding of Indian cultural elements after thefilming process and combines The related theories of cultural communication studies the successful elements that Aamir Khan's films can spread widely in China,and then put forward some suggestions for China's film industry to go abroad to achieve cross-cultural communication.The article is roughly divided into four parts: The introduction part summarizes the significance of the topic of this paper and the research plan,and the status quo of domestic and foreign research in the field of cross-cultural communication of Indian films;the first chapter sorts out the different cultural contexts of India and China.A brief introduction to Indian cinema and Aamir Khan;Chapters 2 and 3 combine Hall's coding/decoding theory with the dissemination,dissemination and dissemination of Aamir Khan films in cross-cultural communication activities.The system analysis;Chapter 4 based on the above research results,summarizes the reasons for Aamir Khan's widespread dissemination in China and thinks about the development of China's film industry.