The Research Of Zhao Songguang's Music Aesthetics Scholarly Genealogy

This article uses philosophy,aesthetics and interdisciplinary research technique and synthesize genealogy and oral history of music,combining literature analysis method with comparative research method to start researching Zhao Songguang's music aesthetics scholarly genealogy.In the first place,the article starts from Zhao Songguang's ideology of music aesthetics,from Zhao songguang's diversified formative education,the ablution of Chinese and western philosophy and aesthetics,contemporary academic trend of aesthetics to retrospect and explore the source of Zhao Songguang's ideology of music aesthetics.In the second place,expounding overall characteristics of Zhao Songguang's ideology of music aesthetics based on anthropology ontology.The features include the unity of natural ontology and anthropology ontology,technology and aesthetics,social beauty and natural beauty,aesthetic establishment,aesthetic harmony and aesthetic perfection.Thirdly,looking for aesthetic mentoring relationship and academic inheritance in five ways,concluding philosophical ontology,morphology of music,aesthetic establishment,music aesthetic establishment educational practice and direct mentoring relationship.At last,by means of sorting out academic chronicle of Zhao Songguang to show the development road of Zhao Songguang's music aesthetics scholarly genealogy intuitively.