On The Artistic Conception Of Lin Liang's Flower And Bird Paintings

Ming-Lin liang,court painter.One of the pioneering figures of freehand flower-and-bird painting in Ming dynasty,especially the development of re-ink structure had a profound influence on later generations.In historical records,comments and discussions on Lin liang's paintings are mostly in general history or notes,and there are few historical materials for the research on the artistic achievements of the court painter Lin liang by numerous art comments.However,there are many works with a history for us to study in depth.This paper takes Lin liang as the main body and the author as the main bodyFrom the perspective of people's emotional art and life experience,the artistic conception of flowers and birds is analyzed and studied.“Artistic conception” is an important category of Chinese traditional aesthetics.It is an indispensable factor in the formation of artistic beauty.Artistic conception is the soul of art and the concentration of the essence of objective things.The Tao casting of the author's thoughts and feelings is to express his feelings through scenery and artistic processing to express the realm of blending scenery and beauty.This article starts with the formal language of artistic conception in Lin Liang's freehand flower and bird paintings,and elaborates from the specific aspects of Chapter II: One subject matter,Lin Liang is good at large-scale painting creation,which is doomed to be a magnificent picture with rich painting content on the subject matter.From later works,Lin Liang's theme is mostly birds and birds,depicting various charm dynamics,matching scenery mostly with tall pine and cypress,giving strong vitality to the rhythm of the picture;second composition,Lin Liang used the composition of landscape paintings in the Song and Yuan Dynasties for reference,highlighting the organic integration of the subject and the matching scenery.The right composition paves the way for the transition in flower-and-bird painting,and the overall picture composition is harmonious and unified.Three strokes of ink are a bright spot in Lin Liang's brush and ink.Lin Liang's brush and ink techniques are mostly vigorous and powerful,and the combination of dotted lines and surface of brush and ink makes the pure expression of cursive books in place.Brush and ink is the soul of Chinese painting,and Lin Liang has made innovations in the language of brush and ink;four blanks,blank in Chinese painting is the most test of the level of the painter.In Lin Liang's paintings,we often see blanks with different falsities,especially in the subject matter of birds and birds.Appropriate blanks make the space more abundant,easy for readers to bring into the emotional atmosphere of the picture and better express themselves.The tension of life in nature.Through the expression of painting language,Lin Liang brings people joy and emotional release,creates the artistic conception in painting,and is greatly recognized by the viewers.The third chapter focuses on the analysis of Lin Liang's creative mood on the transfer of emotional factors of nature.And the fourth chapter of the artistic conception presented in the factors of empathy and abstraction,scene blending,nature and charm,poetry and painting and other theoretical aspects of elaboration.In order to clarify that the artistic realm is not a single level of natural reproduction,but a realm of deep creation.The evolution and inheritance of the aesthetic artistic conception of Chinese painting is a question worthy of our future generations' consideration.In Chinese freehand flower and bird paintings,the pursuit of perceptual basis and rational thinking between man and nature,is to strive for the idea of "harmony between man and nature".Artistic conception is the foundation of excellent traditional culture promoted in aesthetic thought.Chinese painting in the new era needs us to constantly add bricks and tiles to contribute to the development of Chinese painting.