Poetic Text Of Ming Dynasty And The Art Of Tang Poetry

In the history of Chinese poetry development,Tang poetry represents the highest achievement of classical poetry.In the Ming Dynasty,the Ming people closely followed the footsteps of the Tang people and advocated Retro,in order to achieve the prosperity of the Tang Dynasty in poetry.This made poetic text an unprecedented development in the Ming Dynasty.The poetry of the Ming Dynasty is not only a large number,but also involves a wide range of poetry.It is the second highest peak of the development of Chinese poetry.Under the influence of the mainstream ideas of the retro-style of "Admiring Tang Poetry And Degrading Song Poetry",Ming Dynasty presented a multi-angle and progressive situation for the artistic criticism of Tang poetry,widely involved in the compilation and selection of Tang poetry,the history of poetry,artistic style,aesthetic pursuit and many other aspects.Based on the important poetic text of Ming Dynasty,this paper tries to sort out the general context of Tang poetry art criticism made by experts of poetic text of Ming Dynasty,and extracts the representative and original poetic theory to discuss,thus to explore the critical view and value of Tang poetry of Ming people.This paper is divided into five parts:The first chapter is the introduction part,which briefly introduces the current situation of the study of Tang poetry in the Ming Dynasty and the value of this topic,and put forward research ideas and methods.The second chapter sorts out and analyzes the main contents of the art of Tang poetry in Ming Dynasty.In the distinction view of poetry,the Ming people noticed the complementary role of the system and poetry.Different poetry systems have different requirements for the wording and phrasing of the poetry,and even the image and theme of the poetry,each shall use its corresponding system.Especially in the five words poetry of Tang people and seven characters of Tang people,Ming people has a lot of arguments.At the same time,Ming people also noticed the status and role of words,sentences and chapters in poetry,paying attention to the appreciation and application of the words and phrases of poetry.The third chapter discusses Ming people's criticism about the artistic style of important poets in the Tang Dynasty.Ming people first proposed the four stages of the early Tang,the flourishing Tang,the middle Tang and the late Tang,and generally praised the poetry of the early Tang Dynasty,especially represented by Li Bai and Du Fu's poetry.Ming people saw the reform of Four Masters' reform of glamorous poetic style in the early Tang Dynasty,affirmed the orthodox status of Li Bai's poems and the "righteousness" and "change" of Du Fu's poems,at the same time,they also explored the excellent Tang people's poems in the middle and late Tang Dynasty,which indirectly affirmed the poetry status of the poetry in the middle and late Tang Dynasty.The fourth chapter mainly discusses Ming people's artistic pursuit of Tang poetry,starts from the content of the people's criticism about Tang poetry,grasps the Ming people's aesthetic criticism about the Tang poetry art.Ming people's artistic criticism about Tang poetry presents three major characteristics:one,pursue the natural purpose of poetry,two,admire the style of poetry,three,pursue the blending images of poetry.The fifth chapter puts Ming people's art criticism about Tang poetry under the background of the study of Tang poetry,combines with the development of poetry in Ming Dynasty,grasps the value of Ming people's study of Tang poetry art.On the one hand,Ming poetic text promoted the flourishing development of the poems of the dynasty,which led to the emergence of the poetry genre of "the former and the later seven poets","the Gongan school" and "the Jingling school" in the literary genres of the Ming Dynasty,on the other hand,it gave birth to the "spirit theory",the "romantic theory" and the "pattern theory" in Qing Dynasty,which promoted the development of poetry theory in Qing Dynasty.At the same time,in the study of Tang poetry art,it lays the foundation for future generations to grasp the development direction and context of Tang poetry,and broadens the horizons of future generations to study the art of Tang poetry.The sixth part is conclusion,which mainly summarizes and concludes the study of Ming poetic text and Tang poetry art.Although Ming poetic text inherits from Song poetic text,it is innovative in the art criticism of poetry,such as "distinction" and phonetics,which deserves the attention of future generations.