A Study On The Theory Of Feminist Literary Criticism In The 1990s

The spring breeze of reform and opening-up has given new vitality to the academic circles.Since the 1980 s,feminist literary criticism has been introduced into China from the West.A large number of feminist books have been translated and disseminated to the inland by translators and introduces.The promotion of feminist literary criticism theory is in full swing in this vast land of China,and at the same time,many classical female literary works emerge.In the 1990 s,this theory has entered a period of great attention in China.It draws lessons from the critical structure of western theory and then combines closely with the reality of China to construct the characteristics of the women' era belonging to the local culture.This paper mainly discusses that in the 1990 s,with the help of the development of the times and the efforts of local feminist literary critics,feminist literary criticism continuously promoted the spread and development of feminist literary criticism in China,laid a solid foundation for the prosperity and development of women' literature,and provided a broad research field.The introduction part mainly talks about the status of local women' survival and the rise of women' power.It introduces this into the position of women writers works,and deeply understands the development of feminism in China.At the same time,it draws lessons from the feminist literary theory and feminist literary criticism theory gradually constructed with the Western feminist movement.This paper is mainly divided into three chapters: first,the rise of western female literary criticism and its development process in China's localization;second,the study of the local acceptance of western female literary criticism;third,the writing practice of female literary criticism.The first part mainly combs the origin of Western feminist literary criticism and the main tasks of feminist literary criticism,and introduces the main factions and construction contents of feminist literary criticism,which undoubtedly has a certain reference significance for the development of Chinese feminist literary criticism;and from the grand narrative context,the actual situation of female identity,and the development of female literature.This paper analyses the development process of this critical theory in the localization of China from different perspectives,and summarizesthe characteristics of different stages of development of feminist literary criticism.The second part mainly analyses the representative feminist literary critics: Dai Jinhua,Li Yinhe and Cui Weiping,and further explores the acceptance achievements of writers and works in China.Following their footsteps to integrate the views expressed by individuals will have a profound impact on the masses,especially on women.From different perspectives,women will be given different identity experiences and perceptions.The third part mainly summarizes the local feminist literary criticism in the1990 s.The convening of the World Women' Congress provides political support for the study of women' development,drives the demand of women' subjective consciousness,subverts the theoretical study dominated by male-dominated culture,and attempts to construct a state of equality between men and women.While describing the achievements of indigenous feminist literary criticism,it also points out the plight of feminist literary criticism and the state of silent reflection today.