The Application Of Calligraphy And Painting Elements In The Decorative Art Of "White And Black Painting" In Cizhou Kiln Of Song And Yuan Dynasties

The ancient Yanzhao site gave birth to a magnetic kiln bearing a profound cultural heritage,occupying a place in the history of world ceramics.With its unique folk ceramic craftsmanship and the unique artistic conception of “white and black flowers”,it has been loved by generations of people and has become the pride of the people in Ci county and those in Handan.The Cizhou kiln was originally burned in the North Dynasty,and which was really prevailing in Song Dynasty.After the development of three dynasties included Liao,Jin and Yuan,it continued to change and reached its peak time in the Yuan Dynasty.The development and prosperity of Cizhou Kiln is directly related to the background of the Song and Jin Dynasties,during the two dynasties the painting art developed highly,the paintings in Song and Yuan Dynasties begin to rise,and the custom culture prevails as well.The decorative style,decorative techniques,decorative themes,cultural connotations and composition layout of Cizhou Kiln Porcelain.The Chinese ink paintings are highly consistent with each other.The intelligent Cizhou kilns have created the “White and Black Painting”style of the Cizhou Kiln art based on the combination of Chinese painting and calligraphy elements.Ceramic decoration is a combination of technology and art.It is the wisdom of the industrious kiln ancestors.It is the crystallization of Chinese ceramic art and technology.It is both material and spiritual.Through the study of the decorative art of Cizhou kiln porcelain,we can not only understand the production process and socio-economic culture at that time,but also further explore the artistic aesthetic pursuit and hobbies of the civilians expressed in the art of porcelain painting and calligraphy.This paper focuses on the decoration of the paintings and calligraphy of Cizhou Kiln in the Song and Jin Dynasties,and analyzes the personality characteristics of the decorative art of Cizhou Kiln by the application of Chinese painting and calligraphy elements in the decorative art of the “White and Black Painting” of Cizhou Kiln.I have inspected the ceramics of Cizhou Kiln,a large number of archaeological documents and art periodicals,and deeply explored the application of painting and calligraphyelements in the decorative art of “White and Black Painting” in Cizhou Kiln.The article is divided into four parts.Firstly,it briefly introduces the historical overview of Cizhou Kiln and analyzes the overall characteristics of the decorative art of Cizhou kiln porcelain painting and calligraphy by taking the example of “Yuandai·Bai Di Black Painting “Li Baiguan Waterfall”Rectangular Pillow”.The black-painted "decorative style" deeply explores the style characteristics and reasons formed by the influence of traditional Chinese painting and calligraphy in the context of the social,political,economic and cultural aspects of the Song,Jin and Yuan dynasties.Firstly,it briefly introduces the historical overview of Cizhou Kiln and analyzes the overall characteristics of the decorative art of the porcelain paintings and calligraphy of Cizhou Kiln by taking the example of “The Rectangular Pillow of Li Baiguan Waterfall” in the Yuan Dynasty and Baidi Black Painting.This paper explores the style characteristics and reasons formed by the influence of traditional Chinese calligraphy and painting in the context of the social,political,economic and cultural aspects of the Song,Jin and Yuan dynasties.Secondly,it analyzes the decorative techniques used in the "white rectangular painting " Li Baiguan Waterfall " rectangular pillow of Cizhou Kiln" and the decorative technique which can best represent the characteristics of Cizhou Kiln;it summarizes the characteristics of the decorative decoration of Cizhou Kiln porcelain;emphasizes the Cizhou Kiln the contribution of artisans to the art of Cizhou Kiln.Thirdly,it mainly expounds the relationship between the decorative style of "White and Black Painting" of Cizhou Kiln and Chinese ink art.Through the expression methods and performance themes of the both,the cultural connotation and the perspective of the use of the Chinese ink art and the Cizhou Kiln "White Earth Black" the art of painting is highly unified,and systematically organizes the aesthetic perception of the decorative art of Cizhou Kiln.It analyzes the simple and general style of the simple and ancient Confucianism,Buddhism and Taoism philosophy of the Cizhou Kiln.Finally,it sums up the relationship between the decorative art of Cizhou Kiln and other kiln fields and art categories,and summarizes the national intangible cultural heritage of the state.The efforts and contributions of Cizhou Kiln in the future development.