Research On The Application Of "Mi Yuan Method" In Landscape Painting Perspective

Chinese landscape painting was formed in the Wei,Jin,southern and northern dynasties,established in Sui and Tang dynasties,matured in song and yuan dynasties,and developed continuously after Ming and Qing dynasties.Chinese landscape painting is influenced by Confucianism and Taoism.Natural landscape painting is endowed with special connotation and emotional expression,and has the intrinsic cultivation consciousness of taking mountains as morality and water as nature."Six-law Theory" is an important aesthetic principle and evaluation standard of Chinese painting works of art.Sheikh of Southern Qi was the first to put forward "Six-law Theory".It was put forward in "Six principles of Chinese painting" : "It is also true that the charm is vivid;The second bone method uses a pen.Three things should be pictographic is also;Four kinds of colors are also assigned.Five business locations ate also;It is also true that six biographies are moved and written." Among them,"Yingwu pictograph" can accurately show the image of the objective object in the painting paper.It can see the big from the small and achieve the feeling of "a thousand inside close at hand" so that it has a certain shape and space sense to show the objective object.In the long-term creative practice of Chinese painting,the principle of scattered perspective has been formed.Compared with the perspective method of western painting,scatter perspective can let painters break through the limitation of space,give full play to their subjective initiative,and then express their emotions as they please.Guo Xi of the Northern Song Dynasty proposed the "Three Distances Method" of "High,Far-reaching,Pingyuan" and Han Zhuo proposed the "New Three Distances Method" of "Broad,Deep and Distant,and Confused" on the basis of Guo Xi's "Three Distances Method".The two methods have a dialectical and unified relationship and complement each other.Han Zhuo's "three-yuan method" is the inheritance and development of Guo Xi's "three-yuan method".Among the "three-yuan method",the "mi-yuan method" is the most special,which shows the feeling of mi-yuan landscape and emphasizes the hazy beauty and implicit beauty of landscape painting.Therefore,Han Zhuo's perspective law of "mi yuan method" is more suitable to show the southern scenery,especially the landscape painting creation in the yuan and rainy climate.Guilin is a famous representative of the southern mountains and waters.Guilin belongs to subtropical monsoon climate.The weather is humid and changeable,with abundant rainfall.It is drizzly in spring.The mountains and waters are often shrouded by yuan rain and mist.The yuan rain of Lijiang River has become a typical aesthetic feature of Guilin's mountains and waters.The unique landscape of Guilin has attracted a large number of painters to go deep into Guilin for sketching.The earliest connection with Guilin can be traced back to Mi Fu in the Northern Song Dynasty,and Shi Tao in the Qing Dynasty was also born here.Modern famous landscape painters such as Huang Binhong,Fu Baoshi,Zhang Daqian,Xu Beihong,Li Keran and Bai Xueshi are also famous at home and abroad for creating numerous Chinese paintings with Lijiang River landscape as the theme.After living in Guilin for three years,the author was also deeply attracted by Guilin's mountains and waters,and studied and created Guilin's mountains and waters as the theme,thus having some experience in the application of "the method of wandering away from home".This article is divided into three parts to discuss.The first part is mainly about the concept and aesthetic connotation of landscape painting "mi yuan method".Explains the perspective method of landscape painting and the definition of "mi yuan method",explains the relationship between Guo Xi and Han Zhuo's perspective method of landscape painting,and expounds the aesthetic connotation of "mi yuan method".The second part mainly analyzes the performance characteristics and pen and ink application of "mi yuan method" in Chinese landscape painting.This article describes the observation method,composition method,image landscaping,and the application of ink and the artistic conception of "mi yuan method".The third part is to analyze the application of "mi yuan method" in Guilin landscape painting,through the study of Guilin's natural environment,humanistic environment and the aesthetic characteristics of Guilin's landscape,it expounds the relationship between "mi yuan method" and Guilin's landscape aesthetic characteristics.it also analyzes the works of famous artists to understand the special artistic effect of "mi yuan method".The fourth part is the author's application of the "mi yuan method" in his creative practice.