The Embodiment Of Temperament Factor In Opera Characters And Its Application In Singing Training

Temperament factor,as a part of vocal music psychology,plays a crucial role in the performance and learning of opera,which is mainly divided into four types: choleric temperament,melancholic temperament,sanguine temperament and phlegmatic temperament.This paper uses the method of documentation,comparative analysis,summarized method,instance demonstration method,etc,taking the soprano characters in Mozart's opera "magic flute","Marriage of Figaro" as examples,Queen of the night,Pamina,Susana,Rosina,analyzes the temperament characteristics reflected in the aria's melody,lyrics and opera plot in the song,and through comparing the singer's own temperament type,put forward different temperament types in the specific performance and singing advice when singing Mozart's opera,and in the daily vocal music learning,how to use temperament factors and improve their vocal singing skills.This paper is divided into four chapters: chapter one,the related research of temperament factors,the concept and classification of temperament,the judgment method of temperament types and the basic behavior characteristics of different temperament types.The second chapter,focuses on the importance of the singer's match the opera characters temperament type and temperament factors embodied in the Mozart opera,opera "the magic flute",for example,to analyze the main female character,this paper discusses the "night" in the passage "do not be afraid,my child","the burnt in the fire of revenge in our hearts," reflects the choleric temperament characteristic of "mina" in the passage in "I lose all happiness" melancholic temperament characteristic;Taking the opera the marriage of figaro as an example,this paper discusses the blood-rich features of "suzanne" in the excerpts of "a wonderful time is coming","suzanne and marcelina duet",and the mucilage features of "Rosanna" in the excerpts of "pray for love to comfort me" and "where has gone,a wonderful time".Temperament of the third chapter,factors in opera singing and training of the reasonable application of the opera characters,for example,enumerate in singing temperament and the specific application of suggestion,finally,through the different temperament types of problems arising from the singer's performance in learning and analysis,for their respective in opera singing and abuses in the training of vocal music study,put forward Suggestions to improve the training.