Historical Writing In Luo Yijun's Novels

In his numerous novels,Taiwan writer Luo Yijun constructed a historical world with unique vision and imagery in the form of scattered perspective,arbitrary jumping,and self-contained.In this historical world,he does not pursue whether history is true or not.and don't care whether the time is coherent.On the contrary,with a lot of small legendary fragments as the longitude,and the new time and space composed by the writer's amazing imagination as the latitude,it forms a private history "underground world" that was fragmented and regenerated.It is not like The real world above the water level,but the dim field of vision that is hidden outside the daily vision and not compiled by mainstream historical narratives.He broke through the fog of the traditional narrative,dismantled the known history,and always returned to different historical moments in an ironic way.All the characters drifted in the historical time and space because of a foreign land,and the barbarians with different postures grew.The post-modernist writing style penetrates the traditional aesthetic imprisonment,allowing history to be separated,reconstructed,and reborn in his heterogeneous complex aesthetics and fascinating narrative maze.This article is divided into three chapters.The first chapter collects many strangers who live in the history of the gap in a typed way.Luo Yijun portrays a variety of alien images in his absurd historical writings,involving historical memory.The family life,personal situation,cultural identity and many other aspects,the real aliens and the spiritual aliens coexist,and the textual intertextuality completes the construction of the image of "foreigner" in their writing system,reflecting the historical dilemma The multiple characters in the scene of survival.The second chapter discusses the unique aesthetic world that Luo Yijun constructed in his historical writing.His novels are full of narrations of desire,violence,and death.They plunder and refresh the reader's reading with innumerable weight.Experience,with a heterogeneous aesthetic,dispels the cruelty of traditional desires,violence,and death narratives,and declares its intangible writing value in a transcendental way,forming the stylized aesthetic value of Luo Yijun's writing system.The third chapter goes deep into Luo Yijun's narrative labyrinth,breaks the continuity of time and space,collects events in a fragmented way,and flees with them,deliberately leaving traces of narratives,forming a chaotic image of spider webs in writing.Traveling back and forth between historical time and space and modern experience,showing the time and space travel back to the original hometown in thename of a stranger.In the conclusion,this article traces the discrete history of the nationality separated from Taiwan and the mainland.At the same time,it traces back to the Chinese memory of the two places in the middle of the 20 th century.It analyzes the unique personality of Luo Yijun's postmodernist novels and its history.The multiple variations and pluralistic developments brought about by writing elaborated the significance of this writing for Taiwanese literature and the significance of literary history placed under the context of contemporary literature.