Research On Communication Of Chinese Urban Folk Music From The Perspective Of Youth Subculture

Music is a kind of cultural lifestyle of people,and folk music as a type of music has attracted the attention of urban youth groups in recent years.The folk music in mainland China has experienced four stages of development.In the contemporary social context,it has become a city folk song with a unique subculture style.Therefore,how the contemporary urban folk songs become the representation of subcultures and highlight the resistance significance of subcultures is the most important issue in this study.This study reflects how the contemporary urban folk songs become a sub-cultural style with unique resistance significance by combing the development history and communication characteristics of Chinese folk music.This study takes the Birmingham School's youth subculture research as the main theoretical basis.At the same time,it draws on the interdisciplinary theory of semiotics,psychology and sociology.It takes 10 popular urban folk music as the research blueprint and analyzes the narrative elements in the lyrics text.Discourse framework,and in-depth interpretation of the resistance of subculture style embodied in contemporary urban folk music.At the same time,this study also attaches importance to the individual experience of contemporary urban youth groups,trying to attribute the identity problems generated by urban youth groups.As a kind of ideology practice of youth subculture,contemporary urban folk songs,despite their secret resistance through their own style,can not escape the fate of commercial integration.In this game,the cultural tension of subculture is also fully demonstrated.