With the continuous advancement of the times and the rapid development of computer technology,the world’s animation creation methods have become more diverse.From the frame-by-frame hand-drawn to the popular computer 3D creation,the animation industry has risen rapidly with a very rapid momentum.As a world-class animation master,Miyazaki has a high literary and artistic research value.This thesis takes Miyazaki’s magical realism style animation as the main research object,combined with the development status of China’s animation industry,based on the creative methods and cultural connotations of Miyazaki’s works,using interdisciplinary research methods to integrate history.Professional theories in related fields such as sociology,anthropology,linguistics,design,ecology,and Japanese folklore.From the aspects of "magic shape","magic color","magic camera lens" and"magic voice",it analyzes the expression of human nature in Miyazaki’s works from various angles and reveals the profound human nature reflected in it.At the same time,in the process of exploring the relationship between man and nature in Miyazaki’s works,the paper reveals the core ideas of Miyazaki’s works that respect nature,respect nature,and man and nature.Combining Miyaz aki’s animation works with the traditional Chinese Taoist thought of "Heaven and Man",on the basis of "people-oriented" design concept,conceived the "life-orie nted" innovative design concept.The thesis tries to clarify a point of view.In the process of animation creation,we should pay attention to the inner expression of human nature,that is,pay attention to the human nature of animation works.The future development path of Chinese animation should constantly pursue the combination of thought and technology,and combine the theory with practice to make the form serve the content.In the process of studying the humanity connotation and expression of the palace magic animation,this thesis analyzes the cause of Miyazaki’s works from the ideological level and the theoretical level,and provides theoretical basis and realistic basis for the animation creation and development of the nation. |