A Study On The Bottom Narration Of Jiang Muliang's Novels

"People's Livelihood" and "popular feelings" have always been important issues related to the fate of the country and the nation,in the field of literature,the living conditions and state of life of the underclass are always the focus of the attention of realistic writers,writers can consciously assume the responsibility of speaking for the bottom,the social life with the imprint of the Times recorded,It shows the epochal,social and realistic nature of literary creation.Jiang Muliang is the writer who will be the bottom of the creative focus,and the thesis intends to explore the underlying narration under the influence of revolutionary realism literature by using the novels created around the modern period of Jiang Muliang as the main body.China in the the thirties or forties of the 20 th century created the conditions for the writers to heal,the national internal,warlord melee,livelihood,the survival of the people is greatly threatened,the urgent social problems require literature to pay attention to the reality,the writing perspective to the laboring masses subject tilt.Under the influence of left-wing trend of thought,Jiang Muliang's own deep bottom life experience and sincere writing attitude also provide the possibility for the bottom narration of the novel.First of all,from the content of the novel,the depth and breadth of the bottom narrative of Jiang Muliang's novels are embodied in the bottom concern and the underlying expression,Jiang Muliang the underlying perspective continues to expand the underlying suffering and the underlying human nature in an all-round way,while the author's bottom sense of compassion and the feelings of the national family soak in the bottom world of the novel.Secondly,from the artistic style of the novel,the bottom narration of Jiang Muliang's novel presents a distinct regional nature,which is the concentrated display of folk customs in the Xiangzhong area of Hunan province.In addition,in the critical satire of reality to maintain a rational critical spirit.Finally,compared with the writers of the same period,the uniqueness of Jiang Muliang bottom narration is embodied in the authenticity of the bottom world of the novel,including the authenticity of the underlying environment,the authenticity of the characters ' emotions,especially the real description of the workers ' image and workers ' life in the Workers ' novels,which provides a model for the 1930 's workers ' novels.In addition,Jiang Muliang in the bottom aesthetic choice of realistic aesthetic thought and the underlying tragedy of the struggle beauty.Jiang Muliang in the most simple way to create,this simple and sincere unconsciously and the people at the bottom of the empathy,the reality of the gaze,the thinking of the Times and social care is the basic foothold of Jiang Muliang creation.Jiang Muliang in the guidance of left-wing literature and the influence of life experience at the bottom,from beginning to end,the "bottom layer" as their own source of creation,with full humanistic feelings to pay attention to the bottom,writing the bottom layer.In the works,the author shows the literati's sense of distress to the nation-state and the life consciousness of the little people.Jiang Muliang's bottom narrative is very personal style characteristics,calm narrative style filled with full of writing enthusiasm,with the real character emotion,simple character language,multi-level three-dimensional character image so that the novel in many writing on the bottom of the left-wing literature unique.All these fully prove the value contribution of Jiang Muliang's novels in the bottom narration,but Jiang Muliang's novels do not completely get rid of the mode of violent conflict of two yuan opposites of left-wing literature,so there are some limitations in their underlying narration.