A Brief Analysis Of The Relationship Between Characters And Sceneries In Fine Brushwork Figure Painting

Meticulous figure painting is a category of traditional Chinese painting,which has its own strong national characteristics and unique composition methods.Both "Miao Cut" and "Business Position" refer to the composition of Chinese painting.Composition can be said to be a major direction of content,this paper is mainly combined with their own professional,from the perspective of meticulous figure painting to analyze the relationship between characters and scenery,and how I deal with in my creation.In the composition of meticulous figure painting,how to deal with the relationship between characters and scenery has always been a key issue.The perfect integration of characters and scenery is the basic requirement of meticulous figure painting creation.First of all,the portrayal of characters in figure painting is certainly very important,but the existence of "scenery" is not only a foil role,it can enrich the content of the picture,foil the overall atmosphere,strengthen the temperament of the characters,foil the emotions of the characters,how to deal with the scenery in the picture and the characters have the same vital role.The relationship between them is more like a kind of cooperation,that is to say,each of them has its own responsibilities,but also foils each other.Only when the characters are set off by the background,can they have a fuller image.The picture also has a clearer theme,and the scenery has its own meaning because of the existence of the characters.Therefore,the characters and scenery in the picture are a kind of co-existence relationship of mutual coordination,mutual dependence and mutual foil.The first part of the paper mainly analyses the relationship between characters and scenery through traditional meticulous figure painting.Secondly,some basic rules of picture composition,such as density,weight,concealment,black and white,large space and small space,are used in the interaction between characters and scenery.In the second chapter of this paper,we mainly analyze the specific processing methods of the picture language between the characters and the scenery in the modern and Contemporary Meticulous figure paintings,which are divided into the unity of content and tone,the integration of techniques,how to reflect the spatial relationship,and the balance between the complicated and simple relationship and the picture composition.The second chapter's argument is based on the two mentioned in the first chapter.Above the coexistence relationship.If there is no coexistence relationship between characters and scenery,and there is no clear primary and secondary relationship,then the treatment in Chapter II is meaningless.Finally,in the third chapter,I mainly focus on my learning process,enumerating my paintings "Flowering Season" and "Girls Student" and so on,and analyzing how to deal with the relationship between characters and scenery in my creation.