| In the 1930s,the theory of V.Friche's sociology of arts was introduced into China and had a profound influence.As the main representative of vulgar sociology,his theory has been widely questioned and criticized.In the process of spreading and influencing,the connotation of vulgar sociology and vulgar sociology criticism has changed greatly.Therefore,the trend of vulgar sociology and the reflection of sociology of arts in the1930 s became the main background to analyze the spread and influence of Friche's theory in China.The study is also helpful for us to rethink the left-wing literature and art movement in 1930 s from the perspective of sociology of arts and vulgar sociology.This thesis has four parts.The first part is the introduction,which mainly includes the research status,research significance and research methods of this thesis.The second part generalizes and analyzes the process of the spread of Friche's theory in China in the 1930 s.The process can be divided into three stages: 1921-1930,the early stage of translation of the theory.From 1930 to 1932,the major works of Friche were translated and introduced on a large scale.After 1932,the left-wing union began to criticize the vulgar sociological theory of Friche,and had a debate about the relationship between the theory of Friche and Plekhanov.The third part puts the spread and influence of Friche's theory into the reflection of the art sociology in China in the 1930 s,and studies the subject attribution,theoretical basis and basic problems of art sociology,trying to make an objective and fair evaluation of the theory and influence of Friche's art sociology.The fourth part analyzes the particularity of Friche's vulgar sociology in the dissemination and influence of vulgar sociology.In the 1930 s,the Soviet union's criticism of "Plekhanov-frichism" caused a strong response in China,and triggered the debate between "left-wing union" and "the third kind of people" and "free people". |
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