Thirteen Stone Carvings And The Creation Of Contemporary Lishu

Shimen Thirteen is a group of thirteen stone cliffs with Han and Wei inscriptions as the main body.The special geographical environment factors and carriers are important factors for its appearance.Among them,"Shimensong",the author hopes to link "Shimensong" with the development of contemporary Lishu,and combine "Shimensong”with his own creation.Therefore,"Shimen" is the main point of this paper.Shimen Thirteen has rich research value and is an important object in the study of the Han Dynasty Lishu.These precious stone carvings record the development process of the text in the Han Dynasty.Similarly,these cliff stone carvings are also valuable historical materials for the study of water conservancy and transportation projects in the sloping road and Hanzhong area.They have been praised by calligraphers,archaeologists and historical traffic researchers,and occupy an important position in calligraphy art.This research is based on the contemporary development of calligraphy creation,under the guidance of Chinese calligraphy history,calligraphy theory,calligraphy criticism and other theories,based on the theoretical issues involved in the creation of masters of art,the theoretical combing and theoretical discussion,mainly It involves the exploration of the style of inscriptions in Shimen area,the intrinsic style connection of Shimen Thirteen,the study of contemporary Lishu creations,the reference to the style of Shimen,and the creation practice of Shimeng.It emphasizes the particularity and important historical status of the brushwork and eharm of Shimeng,and analyzes the cultural accumulation,humanistic feelings,writing characteristics,artistic value and its influence on the creation of scholars in Shimeng.So that I can apply it in calligraphy creation.