The Change Of Monkey King's Model Design In Chinese Two-dimensional Animation

Since the birth of animation art,there has always been literature and its,"companion".Literature provides countless re-creation materials and possibilities for animation.Many classic animations have emeiged.In the long history of more than 5,000 years in China,many ethnic groups have emerged,and a rich civilization has been bom.The combination of history and modem and contemporary,the traditional culture and the modem concept are combined to form a rich nourishment of Chinese animation,which provides too much creative inspiration for the development of Chinese animation.As the masterpiece of world-class magical fantasy novels,"Journey to the West" has always been the focus of animation creation in China,and it is also a representative of the changes in the Chinese animation industry.From 1941 to 2018,many classic Journey to the West animations were constantly rewritten,and the image of the animated "star" Sun Wukong was also undetgoing a change of "advance with the times." When this department is just like the unrestrained adaptation of the works we must learn from it and discover its shortcomings.We must profoundly realize that not every work is satisfactory.Therefore,this article will focus on a series of different periods of the "Journey to the West"two-dimensional animation works in the Sun Wukong modeling as a research object,by analyzing the role of Sun Wukong's character design changes,to understand the influence factors of Sun Wukong's character design in different periods and summed up The elements that character design should be in the future of Chinese animation.The innovation of this paper is mainly that there are few theoretical studies on Sun Wukong's animation design.At present,this paper analyzes the design changes of Sun Wukong's animation modeling in each period,and analyzes the starting point of Sun Wukong's animation modeling from an objective point of view.And the development process of innovation.