Research On The Application Of Culture And Public Art In Liangshan Area Take Xichang "Jingxinwu" Residential Installation Art As An Example

Murals are a kind of paintings with clear social functions,from ancient times to the present.The prosperity of the time,such as Dunhuang's magnificent monument,was due to the social needs driven by belief and the numerous living beings.Therefore,from the murals of Tang Dynasty and before recorded in the Records of Famous Paintings of All Dynasties to the murals of caves and monasteries that continue to descend from generation to generation,they not only showed religious doctrines,but also showed the beliefs and expectations of believers.During the Anti-Japanese War,a group of painters such as Li Keran drew murals on the streets that could inspire all the people to rise up against the war.They were full of the passion of the times,which was also the result of the times.Even in 1958,"the new socialist murals,the new countryside to take root.Farmers love new murals,and villages paint murals.China became a country of murals in a short time.Among them,151,000 murals were painted in 1940 square kilometers of mountain ditches in Pingliang District of Gansu Province.Its 720-mile mural wall is the "world's largest gallery",and later the murals in the countryside were also affected by this period.From then on to 1978,the revival of Chinese contemporary murals revealed by the emergence of murals at the Capital Airport was closely related to the needs of the times.Some people even regarded it as a vane of reform and opening up,and it became an important period for the high development of murals in the history of Chinese painting.The research object of this paper is murals,whose carrier is chosen in the capital of Liangshan and is known as "Xiaochuncheng" in Xichang City.The research object is the national murals.The creation revolves around the Yi women.Therefore,the author will use the form of murals to exist in the residences and establish the expression mode centered on the Yi women,so that the space presents this characteristic finally.To achieve the interaction between the public and murals,understand the unknown and extraordinary aspects of Yi women.The paper is divided into five chapters.The first chapter is the introduction,which gives a comprehensive description of the research background,purpose,significance and scope of the paper.The second chapter introduces the actual cases of murals with national characteristics at home and abroad,including the results of the author's in-depth investigation in Xichang.The third chapter is the theme study of creative design.It analyseswhy it is necessary to take Yi women as design elements.It not only points out that Yi women are treated unfairly in society,but also affects the development of the whole folk village with "Jingxinwu" residential quarters as the center,making it a more symbolic and representative residential quarters in Xichang.Chapter ? puts forward the core point of view of the paper,that is,in what way murals act on residential accommodation;secondly,whether the purpose of "local remodeling" can be achieved after the role.The fifth chapter tells how the author practices his theoretical viewpoints in "Jingxinwu" residential quarters,including fresco creation,color matching of architectural theme,material and so on.Finally,it concludes that the fresco for residential space is on the one hand the improvement of humanistic connotation and artistic aesthetics,on the other hand,the enhancement of public confidence in their local culture and the cultivation of their own souls.