On The Spatial And Temporal Distribution Of Intangible Cultural Heritage In Sichuan Province

Based on the ArcGIS spatial analysis method and spatial statistics method,this paper analyzes the spatial and temporal distribution characteristics of 879 intangible cultural heritages at the national and provincial levels in Sichuan Province,and analyzes the internal and external advantages of tourism development of intangible cultural resources in Sichuan Province.According to the diachronic deduction and synchronic status of intangible cultural heritage resources in Sichuan Province,this paper explores the evolution process,spatial distribution characteristics and tourism development mode of intangible cultural heritage in Sichuan ProvinceFirst,from the perspective of time distribution characteristics,in terms of quantity,intangible cultural heritage in Sichuan Province generally presents the changing characteristics of "six ups and six downs" in the historical development process,that is,the development of intangible cultural heritage reaches its peak in the primitive society,Zhou Dynasty,Qin and Han Dynasties,Sui and Tang Dynasties,and Qing Dynasty,while in the Xia Dynasty,spring and Autumn Warring States period,the Three Kingdoms,Yuan Dynasty and the Republic of China,it forms a trough;in terms of type,different historical periods There are differences in the number of intangible cultural heritages of various types in Sichuan Province,mainly including traditional skills,traditional music,folk custom,traditional dance and traditional art.The number of intangible cultural heritages of traditional drama,folk literature,quyi and traditional medicine is relatively small.Secondly,from the perspective of spatial distribution,in terms of quantity,the spatial distribution type of intangible cultural heritages in Sichuan Province is agglomerative,with significant spatial differences,showing a spatial pattern of "two axes and two centers",that is,the central distribution axis of Minjiang River and Yangtze River,the discrete distribution axis of Jialing River and the dense centers centered on Liangshan Prefecture and Dazhou city;in terms of type,the spatial distribution of various types of intangible cultural heritages The situation is also different.Among them,the traditional arts form a spatial pattern of "one main and one deputy",i.e.a primary center centered on Chengdu and a secondary center centered on Zigong and Neijiang rivers in Tuojiang River Basin.The traditional music forms a spatial zonal distribution,i.e.a strong concentration distribution zone spanning the Northwest Sichuan Plateau Chengdu plain southwest Sichuan mountain and a northeast Chengdu Plain Sichuan plain The weak distribution zone in the southeast;the concentrated distribution zone of folk intangible cultural heritages across the Northwest Sichuan Chengdu plain southwest Sichuan mountains in space;the spatial pattern of "dual core and multi center" of traditional dance intangible cultural heritages,namely,two polar core areas centered on the intersection of Ganzi Prefecture,Tuojiang River and the Yangtze River and multiple secondary dense areas centered on Chengdu,Panzhihua,Suining,Ya'an and Dazhou The traditional arts form a spatial pattern of "one axis and one center",that is,the central distribution axis of Minjiang River Yangtze River and Tuojiang River basin with Suining as the center;the traditional drama intangible cultural heritages form a spatial pattern of two axes distribution,that is,the central distribution axis along Jialing River and the discrete distribution axis with Minjiang River Yangtze River as the center;the folk literature intangible cultural heritages form a spatial pattern The spatial pattern of "two cores and one core" is formed,i.e.the polar core area with Liangshan Prefecture and Wenchuan County as the center,and the dense area with Dazhou as the center;the spatial distribution pattern of traditional sports,entertainment and acrobatic intangible cultural heritages is "one core and multiple centers",i.e.the core distribution area with Dadu River and Minjiang River as the center and multiple high values with Mianyang,Dazhou,Guang'an and Luzhou as the center,respectively Center:traditional medicine intangible cultural heritage and folk art intangible cultural heritage form a single core center with Chengdu as the center.Thirdly,from the perspective of spatial distribution characteristics,the spatial distribution of intangible cultural heritages in Sichuan Province is characterized by two extremes of the landform,strong hydrophilicity,distribution along the main traffic lines and agglomeration towards both ends of social and economic development.Fourth,based on the perspective of intangible cultural heritage tourism development,combined with the spatial and temporal distribution characteristics of intangible cultural heritage in Sichuan Province,the advantages of intangible cultural heritage resources inside and outside the results,put forward different regional tourism development models.Among them,chengpingyuan intangible cultural heritage tourism area adopts the radiation driving mode of theme park and Intangible Cultural Heritage Festival;Northeast Sichuan intangible cultural heritage tourism area adopts the mode of extending intangible cultural heritage tourism industry chain,giving full play to the role of large tourism industry association driving,extending the industry chain;Southwest Sichuan intangible cultural heritage tourism area adopts the mode of creating excellent intangible cultural heritage tourism projects,creating excellent projects highlighting regional characteristics or cultural themes;West Sichuan intangible cultural heritage tourism area The tourism area adopts the national festival celebration and folk intangible cultural heritage tourism development mode to fully show the charm of foreign culture.