Study On The Luoyang Image Of Literature In The Han And Tang Dynasties

Many scholars have studied the relationship between Luoyang and literature,but there are not many studies on Luoyang image.Luoyangs status in the Han and Tang dynasties is different.The Han dynasty has special significance for Luoyang.The Luoyang image that frequently appeared in the literary works of the two dynasties of Han and Tang dynasties.With the development of cities and literature,the content has become more and more abundant,and implications are also getting more complicated.This article focuses on Luoyang image,and analyzes literary works and content related to Luoyang imagery,including Quanhanfu,the Poems of the pre Qin,Han,Wei,Jin,southern and Northern Dynasties,Collection of yuefu poems,complete Tang poems,and Lidai Fuhui.Then,the main features of Luoyang image in the Han and Tang dynasties were combed,and the changes of Luoyang imagery in the Han and Tang Dynasties were analyzed.This article will be divided into four parts:The first part is the introduction,which is divided into three sections.The first section introduces the significance of this topic,the necessity of studying Luoyang image,and why the Han and Tang dynasties were selected.The second section introduces the research status of Luoyang image.The third section introduces the research ideas and content of this thesis.The second part is the first chapter of the thesis,which introduces the Luoyang imagery in Han Dynastys literary works in detail,divided into three sections.The first section introduces the description of Luoyang in literary works centered on "Two Capitals",which is divided into two parts: the first part writes a description of Luoyang on the political level of literary works centered on "Two Capitals",and The second part writes a description of Luoyang on the social level of literary works centered on "Two Capitals".The second section introduces the description of Luoyang in literary works centered on "Two Jing Fu",which is divided into two parts: the first part writes a description of Luoyang at the political level for literary works centered on "Two Jing Fu",The second part writes a description of Luoyang on the social level of literary works centered on the "Two Jing Fu".The third section introduces the description of Luoyang in literary works centered on poetry at the end of the Han Dynasty.It is divided into two parts: the first part writes a description of Luoyang at the political level for literary works centered in poetry at the end of the Han Dynasty,and the second part writes The literary works centered on poetry in the late Han Dynasty describe Luoyang on a social level.The third part is the second chapter of the thesis,which introduces the Luoyang imagery in Tang Dynastys literary works in detail,divided into two sections.The first section introduces the description of Luoyang in the literary works of the early Tang Dynasty and is divided into two parts: the first part writes the description of Luoyang at the political level in the literary works of the early Tang Dynasty;the second section writes the social level of the Luoyang in the early Tang Dynasty The description of Luoyang.The second section introduces the description of Luoyang in the literary works of the middle and late Tang Dynasty.The first part writes the description of Luoyang at the political level in the literary works of the middle and late Tang Dynasty;the second part writes the description of Luoyang at the social level in the literary works of the early Tang Dynasty.The fourth part is the third chapter of the thesis,which summarizes the similarities and differences between Luoyang imagery in Han Dynasty and Tang Dynasty literary works,and is divided into two sections.The first section introduces the similarities of Luoyang imagery in Han and Tang literary works,that is,the trend of Luoyang imagery in Han and Tang literary works is roughly the same.The second section introduces the differences between Luoyang imagery in Han and Tang literary works,mainly discussed from the following three aspects: First,the emotional implication of Luoyang imagery is more complex;Second,the expression of Luoyang imagery is more diverse;third Luoyangs imagery is more individualized.