Analyzing The Wood Carving Art Of The Stage

In today's social development,traditional handicrafts gradually possess the cloak of intangible cultural heritage,which not only becomes an important part of building local cultural resources,but also contributes to the development of local economy.Rongchang has established its own local business card with three intangible cultural heritages: Antao,Xiabu and Folding Fan.Because of the great changes in modern society and life,the craft culture in the region has also evolved to a certain extent at any time,and the corresponding changes in the cultural space of traditional handicrafts in Rongchang area reflect the changes in market demand.The continuous increase of the force,mobilize the creative enthusiasm of the craftsman,the identity of the craftsman is constantly transformed,and the process of production,organization,inheritance and communication form gradually show a diversified development trend.However,the modern handicraft has developed to today,its modern transformation is not the abandonment and variation of simple handicrafts in the external style,but the overall development process of the choice,adaptation and integration of process culture and modern society,reflecting certain control and guidance.Consumer demand and changes in spiritual values,rather than casual development and production.Traditional Chinese craftsmanship has a long history and many categories,covering a wide range.it not only covering all aspects of clothing,food,housing,and travel,but various folklore activities of culture and entertainment,covering all ethnic groups.It is a collection of Chinese traditional creation systems,modeling systems,and concept systems.The cultural content is contained in traditional craftsmanship,and its the associated cultural ecology,the creativity of manual labor,and the craftsmanship of history,are closely related to people's livelihood,folklore,and folk art.In the increasingly important protection of craft culture ecology,this paper takes traditional folk stage wood carvings as the research object,focuses on the correlation of traditional folk art space fields,explores the internal relationship between "fields" and space,and base on the stage architecture wood carvings,analyze its the forms,sociological significance of the occurrence and application of cultural,cultural and cultural activities.In the late Ming and early Qing dynasties,the population in the Sichuan-Chongqing region increasingly decreased."Huguang-filled Sichuan" brought a large number of immigrants from Hubei,Hu'nan,Shanxi,Jiangxi,Guangdong and Guangxi,which increased the population in Sichuan and Chongqing by more than 1 million people from other provinces and formed the fusion of multiple regions and cultures,it has led to the construction of a large number of halls and ancestral halls in the Sichuan-Chongqing area.At the same time,ancient theaters is brought which that have played an important role in people's lives,also,it have become the main venues for cultural activities.This paper takes a more detailed field investigation through the ancient theaters in Sichuan and Chongqing,and analyzes and explains the rise of the theaters,the way of viewing and performing,the graphic connotation of wood carvings,and the expression and transmission significance of folk culture.It is believed that the cultural image and artistic language reflected in the woodcarving decoration of the ancient opera stage not only reflected the aesthetic taste of the people at that time,but also the diffusion of cultural ideas within the community to promote the generation of cohesion and a sense of belonging,watching and thinking to hometown,and in the process of viewing,through the dynamic performance of the stage and the unique expression of static woodcarving on the stage of the spiritual education of people.The paper is divided into seven parts.The first partis the introduction,which elaborates the background,basis,meaning,value,scope,method,research status of the dissertation and the explanation of the sociological "field" theory involved in the dissertation.The second part involved the its establishment,continuity,distribution,type,and formation of Sichuan-Chongqing entertainment venues under the influence of factors such as the initial geographical environment,immigration,cultural trade,and other factors;the third chapter introduces the concept of "field" of sociological theory,it is form different angles to study the type of the stage,its layout and the spatial scale of the performance;part4 analyzes and summarizes the performance modes,wood carving themes,and spatial structure of stage in Sichuan and Chongqing regional wood carvings.part5 summarizes the cultural connotation of stage wood carvings,and explains its protection value;part6 analyzes the inheritance and modern transformation of traditional opera wood carving through some examples;part7 is sorts out and summarizes the main points of the paper.In this paper,I am through field investigations from the perspective of design.Also combined with the research methods of other disciplines,explores the inherent generation of the regional immigrant culture fusion and its development,and it also explores how to continue the roots of society culture and reshape the vitality of traditional crafts,so as to helping the protection and inheritance of intangible heritage.