On Lin Geng's Research On Chu Ci

Lin Geng is a typical poet-type scholar and scholar-type scholar,a representative of the "the heart of the poem" of Chu Ci in the 20 th century.His works,Research on Poet Qu Yuan with His Works and Commentary Notes on Tian Wen,spanned several decades,but their length is extremely concise.However,Lin Geng discriminates and interprets the "style" of Chu Ci,proofreads the "text" of Chu Ci,studies the "history" of Chu Ci,interprets the "meaning" of Chu Ci and criticizes the "beauty" of Chu Ci,which involves many aspects of the study of Chu Ci,with frequent new ideas and innovative ideas.Through these two works,Lin Geng constructed his unique coordinate system for the study of Chu Ci.The initial establishment of the coordinate system of Lin Geng's study of Chu Ci is purely for exploring the laws of the form of poetry different from prose in Chu Ci and for exploring the main trend of literary history.The "vertical coordinate axis" of Chu Ci coordinate system,which emphasizes the "poeticization" and "romance" of Chu Ci is to cooperate with his exploration of new poetry metrics and the arrangement of literary history,and to connect with the study of Tang poetry,while the "horizontal coordinate axis" of Chu Ci emphasizes the textual research of Qu Yuan and his works,which is an independent reflection of his literary history research and is different from his study of Tang poetry.The interweaving of vertical and horizontal axes shows Lin Geng's multi-dimensional examination of Chu Ci,and the construction from vertical to horizontal shows the transformation of Lin Geng's study of Chu Ci and his study of classical poetry from "consistency" to "independence".Examining these two works respectively,the Poet Quyuan and His Works,combines the exploration of poetry style,the textual research of the author's life and the examination and interpretation of his works,while the research of Tianwen is a pure textual.Although the writing time is different,the content of the study is different,it reflects Lin Geng's stable and consistent research methods and style.These two works,no matter which level of research,always run through the research method of "poetic perception".They are based on the text and have a good understanding of poetry.They contain Lin Geng's research standpoint of "creative subject",research perspective of "literary standard" and research thinking of "poetic logic".The textual research of the two works is concentrated because they only pay attention to the materials of the Han Dynasty and the materials before the Han Dynasty,the argument is more concise because they do not pay attention to the collation of academic history,and they are full of poetry because they emphasize the rhythm of language,all of which reflects the identity of Lin Geng as a poet and the imprint of his temperament.Whether the arguments are substantial or sufficient,Lin Geng's views on Chu Ci poetry style,author and works are creative,and Lin Geng's research on Chu Ci has novel perspectives,unique research and distinct personality,which inspires people on relevant topics of Chu Ci.Moreover,Lin Geng's concise and charming discourse system of Chu Ci inspires people to think about the unity of rationality and spirituality,the combination of logical deduction and poetic comprehension.The above is the value of Lin Geng's research on Chu Ci.In addition,Lin Geng has always integrated the study of Chu Ci with the creation of new poems,and communicated with each other.He studies Chu Ci with the perplexity of new poetry creation,carries the "poet's responsibility" to approach Chu Ci,explores the "poeticization" law of Chu Ci,and finally guides his new poetry creation with the harvest of research.He develops the language form of Chu Ci,inherits the lyric way of Chu Ci,and integrates the deep meaning of Chu Ci into his works,deduces the literary classics of Chu Ci,and realizes the double reappearance of Chu Ci art and soul.Therefore,Lin Geng is a key scholar in the history of Chu Ci in China,who connected Chu Ci with new poetry and ancient and modern poetry.