On The Chinese Story Narration Of Humanistic Documentary From Cross-culture Perspective

Under the trend of globalization,with the rapid development of new media,cross-cultural communication has been paid more and more attention by more countries.Under the background of the era of information sharing,humanistic documentary,as an important carrier of national image,plays an irreplaceable role in transmitting the cross-cultural narration of Chinese civilization and Chinese stories.But because of our cognitive differences in politics,economy,history,culture and so on,the humanistic documentary in our country has encountered many obstacles and misjudgments in the cross-cultural narration of Chinese stories.Combining cross-cultural theory with narratology theory,this study deeply analyzes the basis of the excellent humanities documentary at home and abroad in recent years.On the basis of this,the author probes into the skills and abilities that Chinese human documentary should possess in the aspects of topic selection,narrative structure,audio-visual expression and so on.This thesis is divided into the following parts:The first part analyzes and defines the relevant theories and concepts of cross-cultural narration in humanistic documentary,and clarifies the focus and scope of this study.Then combined with the background of each period,this paper explores the transformation of the creative thinking of Chinese story subject in the humanities documentary: on the one hand,from the time span,simply combing the cross-cultural creative course of the Chinese story narration of the humanities documentary;on the other hand,combining with the current era context,the creative thinking of the humanities documentary is re-established.The second part is the key research content of this paper.First of all,this paper explores the principle of selecting topics moderately unfamiliar in the global mainstream context of humanistic documentaries under identity,clarifies the "consensus" of cultural differences,and tries to find the theme and common perspective of the nature of "globalization" in the cross-cultural context to present Chinese stories.Secondly,from the point of view of narrative structure and audio-visual,from the narrative skills,means and audio-visual presentation to explore the internationalization of humanistic documentary Chinese story creation method,in order to tell Chinese stories more closer to the global expression and aesthetic needs.The third part is the last chapter of this paper,the author from the theme of cross-cultural identity,to explore the humanities documentary to strengthen culturalself-confidence,in dialogue and listening to constantly improve and reflect on the creation,and finally to achieve the humanities documentary Chinese story cross-cultural identity.