“Flow”and “Change”

He Jialin's landscape practice road is a model of success,he for the traditional st udying deep foundation,has a solid ink skills,works of ancient and old gas.From the original attention to the subjective idea to the later nature as a teacher,He Jialin is al so constantly updating his own pen and ink language and pen and ink height.Based o n the research of Hejialin landscape painting learning process,through the open toda y on the road to success,landscape painting language and theory,a variety of landsca pe paintings in the Chinese peep out the possibility of language and style of tradition al ink,how to inherit and develop research.By using literature research method,clas sification research method and summing up induction method,this paper analyzes an d studies He Jialin's pen and ink language in different periods,and summarizes the c haracteristics and changes of painters in different periods.In the inheritance of brush and ink,He Jialin didn't take all the ink and ink conc epts of the ancients,but chose and advocated the idea of ancient masters.Pen and ink in the continuous development and evolution,but the spirit of the pen and ink is still based on the artistic conception of the pen and ink.In the ink development,Hejialin a rt road is divided into two stages,the first stage is the early stage of creation before 1999,the creation is characterized by subjective thinking,strong sense of design,as pa rt of a bold and thick ink language,the other part is cold,lonely escape.The second s tage is the stage of creation after 1999,when He Jialin walked out of the studio,in th e face of true mountain water in nature of sketch creation,making the works become vivid and full of vitality,and the use of pen and ink has become arbitrary,and freely,and gradually formed its own unique painting language.To experience the inner spiri t of the ancient people's ink and ink,to feel the true mountains and rivers to the natur e,and to find the suitable language of the pen and ink through the continuous writing.The first thing to do is to study the traditional ink and ink,with a solid foundation o f ink and ink,so as to make better use of the performance.The second is to enhance t he cultural knowledge,again is the realm of Chinese painting improved.The times we live in is constantly moving forward,and the ink development is k ept as the river rushes forward,passing,bringing together,this is the ink in the devel opment of "flow",is the traditional inheritance;because the river is flowing,it must have changed we cannot,for the traditional pen and ink directly mechanically or mut ual together to use,but with the current creation of the combination of scenery.In the practice of landscape creation,He Jialin went deep into life,mainly sketching,so tha t his works were close to the present,and had the sense of the times and vitality.For the inheritance of traditional brush and ink,the use of essence instead of dross and ad aptation is also the "change" of ink and wash.