The Cultural Origin And Development Of The Four Gods In The Tomb Of Gaogouli Murals

Based on the previous archaeological findings,it can be known that the figure of the four gods is an important part of the gaogouli tomb murals,and developed into the subject in the late gaogouli murals.However,the images of the four gods in the murals of gaogouli tombs inherited and developed from the han culture.In view of this,based on historical clues and archaeological remains,this paper intends to establish an academic interpretation of the cultural origin of the four gods in the murals in gaogouli by sorting out the development of the four gods in the murals in central China and gaogouli.At the same time,the paper summarizes the process and causes of the change and development of the four gods in the gaogouli murals' tombs,analyzes the reasons why the four gods,as elements of han culture,become the main content of the gaogouli murals,further clarifies the cultural connotation of the four gods in the gaogouli murals' tombs,and interprets the influence of the central plains culture on the culture,thoughts and customs of gaogouli.This will help to expand the academic vision of the study of gaogouli murals and tombs,and promote a new breakthrough in the study of gaogouli culture from the perspective of the four gods.