Type Construction And Enlightenment Of Taiwan Youth Film Since The New Century

Under the context that political,economic,cultural and other forces compete with each other,the youth films in Taiwan region have become the "assurance" of filmmaking in Taiwan region with local characteristics of trivial and pure style,which actively adapted to the "fragmented industry model" that the films in Taiwan had to form at the turn of the new century due to multiple dilemmas and then gradually brought the youth films into a new creation stage-Type Stage through the characteristics of the low-cost production mode,oriented aesthetic formula and youth logo easy to promote.The youth films in this stage were participated by cross-border talents and characterized by cross regional integration,which not only formed the type prototype of youth films in Taiwan region in terms of the type mode through the relatively unified themes,the shaping of stereotyped roles and the presentation of iconic elements,but also constantly moved forward to the practice of subtypes and composite types on this basis,thereby forming the diverse features of the youth films in Taiwan region after the new century in a mixed or anti-type pattern.The deeper transformation took place in a broader horizon.Taiwan region is in the intersection of Chinese traditional culture,Japanese culture and Western European and American culture.Looking back at the films in Taiwan region from the creation of the youth films in China and even in the world,obviously,they not only inherited the aesthetics of the youth films in Taiwan region before the new century,but also developed positive interaction with the creations in Chinese mainland,Hong Kong Special Administrative Region and other regions in terms of narration,style and youth issues.To some extent,they were close to the "pure love" style of Japanese youth films,the "extreme" presentation of Korean youth films and the type construction of American youth films in the world.The youth films in Taiwan region tend to homogeneity and solidity in the aesthetic creation,type construction and expansion,however,there is no doubt that it is just in this process of continuous inheritance and abandonment,innovation and stagnation that the youth films in Taiwan region gradually establish a dynamic cognition of the relationship between creators and works,works and audiences,creators and markets,etc.Therefore,the youth films in Taiwan region are promising!...