To Analyze The Phenomena And Aesthetic Connotation Of Vienna New Year Concert In The Past Decade

This thesis takes Vienna New Year's concert in recent ten years which is regarded as a kind of music culture phenomenon as the research object and attempt to analyze its real aesthetic connotation by collecting many phenomena with relevant theories from an outsider view.The whole text is composed of preface,body and conclusion for three parts and each part contains two sections.The preface part is as an introduction.First of all,it explains the reasons for selecting this topic,the historical background of the topic,and the research domain.Secondly,it summarizes the main theoretical basis of the thesis,previous research achievements and research ideas.The first chapter sorts out the phenomenon,such as the basic situation of the performance of the repertoire,the presentation of the conductor and the orchestra.Besides,it concretely sorts out the specific intervention ways for communicating method in communication,dance beauty,the audience and other aspects,as well as the dance beauty design and the stratification of the subjectivity.The second chapter analyzes the characteristics of the aesthetic activities of music in the image under the theoretical basis.First of all,it analyzes the aesthetic characteristics of Strauss phenomenon in the reserved repertoire and "diversity" phenomenon in the new repertoire from the perspective of first creation;second,it analyzes the aesthetic characteristics of the music activities of the conductor and Orchestra in the second creation from the perspective of programming and presentation;finally,it analyzes the subjective experience,transcribed broadcast and dance beauty in different fields from the perspectives of third creation and communication.Moreover,it analyzes the characteristics of music industry.The third chapter takes the context of cross Year Carnival as the basic premise,and analyzes the aesthetic connotation of typical music cases under theoretical basis.Adopted by the concept of synesthesia "listening to sensory facts",the paper sums up the audio-visual beauty of music works in acoustics,which integrates "clarity","celebration" and "humor".Secondly,based on the theory of "beauty is life" and "Carnival",this paper sums up the life style of "beauty" in mass entertainment and the emotional demands of "celebration" and "blessing" in carnival.By social aesthetics,this paper analyzes the social significance and functional value of music industry.Finally,from the perspectives of audience and art manager,it analyzes the aesthetic imagery of Vienna New Year Concert,which is full of "elegance and magnificence".In the conclusion,on one hand,this paper summarizes the experience of the research process:the aesthetic activities in the image are presented in various artistic forms,which reflect people's experience of life through music art as different aesthetic characteristics point to popular entertainment,and present the aesthetic connotation of human-oriented.We could grasp the "true","beauty" and "goodness" in the New Year Carnival from the experience of life aesthetics,sound "beauty listening" and "Carnival style".On the other hand,this paper has not formed a mature and correct understanding of the essence of western music art practice from the perspective of outsiders.In the future research,I need to further explore the deep connotation of "imagery" theory to provide a solid theoretical basis for the research object.In this paper,by presenting the concrete image of new year's concert,this paper analyzes the research object in the view of music aesthetics,and questions the essence by aesthetic imagery.Therefore,it has innovativeness in the studying progress.