Narrative Analysis Of Chinese Women's Biographical Films Since The Founding Of New China

Since the founding of new China,Chinese social,political,cultural and other aspects began to focus on the women's liberation.And since the first female biographical film Chinese Daughter was born,women's biographies have always demonstrated different situations of women in society.In the 1980 s,female directors rose and created many excellent female biopic films.In this paper,from the female image,prototype narrative,narration and sex narration,four aspects of film biography research since the founding of the Chinese women,and combing the female images in the film and film narrative,and to show the Chinese women in social,political,cultural and other aspects of the situation changes.Based on the Chinese female biopic film from 1949 to 2017,this paper has compiled 50 representative Chinese female biopic films.On the one hand,in this article,through methods such as induction period finishing three films since new China was founded,the female image in Chinese female film biography characteristics and evolution of female images in detail in this paper.,on the other hand,through the methods of literature analysis to the typical film from prototype narrative,narration and sex narration,etc.is analyzed,showing different narrative features in the period of the film,and the causes were analyzed,and the future outlook.This article includes five chapters,and its contents are summarized as follows:The first chapter mainly discusses the background and significance of the topic.There are two reasons for the study of Chinese female biographers since the founding of new China: on the one hand,there is a lack of excellent female biopic films in China compared with foreign countries.On the other hand,there is a lack of historical and systematic research on female biopic films.The author hopes that this article can improve the two aspects.After that,the research status,research ideas and methods of research and research are summarized and summarized.The second chapter makes a historical analysis of the causes of Chinese female biographies and the development and characteristics of female characters in the three films.Due to political influence,most women in the "seventeen years" film period were born into "Mulan" in the context of grand political narrative and abandoned their gender attributes.Female biography "new period" film,the female characters in the movie started to pick up the gender identity,because of the society and women themselves roots in the patriarchal thought,lead to most of the female image in captivity in the family role,although the initiation of independence and the feminist consciousness is lost.Women of new century female biography movie,the film presents a professional and three-dimensional features,women's status was promoted to a certain extent,professional women have a new interpretation of female family identity.In addition,he broke the image of "heroine" in the "seventeen years" film period from his perspective,and made the screen hero return to gender.In the third chapter,Jung's classic archetypal theory analyzes the representative films in female biopic films."Seventeen years" film period of "heroine-the people" and "gods" who in structural prototype of myth and legend,"heroine" as a deity of role exists in women in the film,they also have been given a class attribute,become a symbol of justice and wisdom."Runa lingyu" and "original sin" prototype,ruan deeply rooted patriarchal ideology is similar to "original sin" born with sin,and ruan initiation of independent women thought is similar to the "original sin" deep connotation of the symbol of the wisdom of the forbidden fruit in the garden of Eden.Has an independent women thought her try to find their dream of happiness,but the patriarchal ideology and "wisdom" of the patriarchal society does not tolerate her,eventually fizzle out,early took their own lives.Kawashima yoshiko and wine god Dionysus archetype,kawashima yoshiko's birth as well as Dionysus is unable to get rid of the tragedy of the seeds,lifelong and kawashima yoshiko displaced and spit on the espionage with Dionysus experience and "carnival".When he was young,he was sent to Japan to return to the Japanese puppet regime of kawashima for a lifetime.After his father took her virginity,he said farewell to the female image,and began the espionage act in order to survive and his father's wish.The fourth chapter,from the Angle of narrative time and space,analyzes Chinese female biopic,found that as women biography film directors of thinking and the development of the biography movie,space-time narration has thoroughly broken the simple single time axis frame display space,set up multiple threads of time more emphasis on spiritual space of the echo of nonlinear,complex space-time narrative dimensions and involved in the film,complex nonlinear narrative space narrative and multiple spatial narrative and spatio-temporal crisscross is analyzed in this paper.In the fifth chapter,the author discusses the "he" and the female eroticism in the female biographical films,and examines and discusses the development of gender politics and the end of gender politics.The author hope that through this article research can make up for the academia to women film biography of historical research and narrative research vacancy,can help Chinese director unearth more unique female character prototype and create excellent female biopic.