Research On The Pen And Ink Structure Of "Lu Yanshao's Landscape Painting Lesson Draft" Based On Landscape Creation

Since the 20 th century,the rift between conservative and radical thoughts in Chinese painting industry has brought violent turmoil.The reformism represented by the lu clarins has closed the rift,and lu clarins has also become an important figure in the landscape painting circle.Therefore,the study of lu xiaoxu and his script has a very realistic value and significance for the inheritance,innovation and popularization of Chinese painting.All arts must accomplish the leap from form to spirit.Chinese painting exists in the form of ink and brush,and the way from the form to the spirit of Chinese painting is "ink and brush creation".By combining the "situation"(internal environment)and "material environment"(external environment)with "pen","ink" and "pen potential" respectively,the author figures out the relationship between "ink" and "creating environment".On this basis,the relationship between the "pen and ink structure" and "creation performance" of the script and the written structure of the script is analyzed based on the detailed analysis of the script and related literature,so as to conclude the characteristics of the script and the pen and ink structure of the script.Furthermore,by analyzing the artistic practice process of lu wanshao,this paper explores the difficult exploration process of Chinese artists in the 20 th century between the inheritance and innovation of landscape painting,so as to understand the spiritual connotation of Chinese painting reformism from tradition and not against innovation of lu wanshao,and guide the practice of teaching and creation of contemporary landscape painting.