| Since 1955,after more than half a century of development,the Documenta in Kassel has developed into the world’s most important exhibition of contemporary art.As an artistic medium representing the latest trends,it records and attempts to assess every stage of Western and global art development in its historical process and is therefore unique in the art world.Each of the Kassel Documenta has an independent visual system.In the fourteenth five-year exhibition,these visual systems are independent of each other and have an up-and-down relationship,with more than half a century of documentary history.The world’s political turmoil,economic prosperity,cultural integration,ideological trends,popular change,each documentary exhibition has a strong mapping,but also affects the visual image of each exhibition,which also makes the last half For more than a century,the visual system of the 14 th Documenta has become a complete,rich and paradigm research object.Through the combing and research of the visual image system of the previous Kassel Documenta,combined with the political,economic and cultural background of the corresponding era,this paper takes the curatorial concept and the artistic trend as the starting point,and deeply analyzes the multi-interlaced design motivation.The planning and visual image creation of contemporary art design exhibitions proposes a path and direction thinking. |